Yeats’s Mask, Yeats Annual No. 19 is a special issue in this renowned research-level series. Fashionable in the age of Wilde, the Mask changes shape until it emerges as Mask in the system of A Vision. Chronologically tracing the concept through Yeats’s plays and those poems written as ‘texts for exposition’ of his occult thought which flowers in A Vision itself (1925 and 1937), the volume also spotlights ‘The Mask before The Mask’ numerous plays including Cathleen Ni-Houlihan, The King’s Threshold, Calvary, The Words upon the Window-pane, A Full Moon in March and The Death of Cuchulain. There are excurses into studies of Yeats’s friendship with the Oxford don and cleric, William Force Stead, his radio broadcasts, the Chinese contexts for his writing of ‘Lapis Lazuli’. His self-renewal after The Oxford Book of Modern Verse, and the key occult epistolary exchange ‘Leo Africanus’, edited from MSS by Steve L. Adams and George Mills Harper, is republished from the elusive Yeats Annual No. 1 (1982). The essays are by David Bradshaw, Michael Cade-Stewart, Aisling Carlin, Warwick Gould, Margaret Mills Harper, Pierre Longuenesse, Jerusha McCormack, Neil Mann, Emilie Morin, Elizabeth Müller and Alexandra Poulain, with shorter notes by Philip Bishop and Colin Smythe considering Yeats’s quatrain upon remaking himself and the pirate editions of The Land of Heart’s Desire. Ten reviews focus on various volumes of the Cornell Yeats MSS Series, his correspondence with George Yeats, and numerous critical studies. Yeats Annual is published by Open Book Publishers in association with the Institute of English Studies, University of London.
The essays are by David Bradshaw, Michael Cade-Stewart, Aisling Carlin, Warwick Gould, Margaret Mills Harper, Pierre Longuenesse, Jerusha McCormack, Neil Mann, Emilie Morin, Elizabeth Müller and Alexandra Poulain, with shorter notes by ...
His self-renewal after The Oxford Book of Modern Verse, and the key occult epistolary exchange 'Leo Africanus', edited from MSS by Steve L. Adams and George Mills Harper, is republished from the elusive Yeats Annual No. 1 (1982).
In this classic critical examination of the poet, Richard Ellmann strips away the masks of his subject: occultist, senator of the Irish Free State, libidinous old man, and Nobel Prize winner.
A critical biography of the great Irish poet traces his intellectual growth and relates his mystical concerns and involvement in public affairs to his poetry.
Beginning with an analysis of Yeats's Mask theory and an examination of the script materials, Haswell demonstrates the development of feminine masks in the Cuchulain plays; the lyrics "Solomon to Sheba, " "Solomon and the Witch, " "Michael ...
... mask will show that a particular element ( for example , a ... Yeats's own theory of the self , particularly as it was worked out in ...
Masks of Love and Death: Yeats as Dramatist
W.B. Yeats, Autobiographies. The Collected Works of W.B. Yeats Vol. III, ed. William H. O'Donnell and Douglas N. Archibald, p. 71. See also, R.F. Foster, W.B. Yeats: A Life, Vol. I: Apprentice Mage 1865–1914 (Oxford: Oxford University ...
The first volume of essays devoted to W. B. Yeats's 'A Vision' and the associated system developed by Yeats and his wife, George.
Yeats and the Masks of Syntax