This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and Southeastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists to the genre. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique. As the first comprehensive history of the subject, this text is essential for those in the field of performance studies, or those researching contemporary Eastern European art. It will also be of interest to those in Slavic studies, art history and visual culture.
Sex and the City and Desperate Housewives, and the music videos of 50 Cent and the G Unit are also explored."--Source inconnue.
Every Breath We Drew examines the intersection between private, individual identity and the search for intimate connection with others.
With this intimate series of images, Rebecca Swan launches an inquiry into the understanding of gender across cultures, nations, and generations.
The spaces bodies occupy and the ways in which those spaces are depicted in landscape art has not, however, been subject to investigation. This book is the first sustained attempt to fill this gap in art history.
The spaces bodies occupy and the ways in which those spaces are depicted in landscape art has not, however, been subject to investigation. This book is the first sustained attempt to fill this gap in art history.