Japanese woodblock printing is a beautiful art that traces its roots back to the eighth century. It uses a unique system of registration, cutting and printing. This practical book explains the process from design drawing to finished print, and then introduces more advanced printing and carving techniques, plus advice on editioning your prints and their aftercare, tool care and sharpening. Supported by nearly 200 colour photographs, this new book advises on how to develop your ideas, turning them into sketches and a finished design drawing, then how to break an image into the various blocks needed to make a print. It also explains how to use a tracing paper transfer method to take your design from drawing to woodblock and, finally, explains the traditional systems of registration, cutting and printing that define an authentic Japanese woodblock.
This practical book explains the process from design drawing to finished print, and then introduces more advanced printing and carving techniques, plus advice on editioning your prints and their aftercare, tool care and sharpening.
Woodblock printing is an ancient art form, which produces beautiful, subtle and lively pieces with just a few simple materials. This book introduces the art, and shares technical information and ideas for those with more experience.
This book has been out of print since 2011.
At once practical and inspirational, this handbook is as useful to serious printmakers and artists as it is to creative people drawn to Japanese history and aesthetics.
The Art and Craft of Woodblock Printmaking: Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut
This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.
In this comprehensive guide, artist and printmaker April Vollmer--one of the best known Japanese woodblock printing practitioners and instructors in the West--combines her deep knowledge of the historic printmaking practice with expert ...
This book is a fascinating exploration of this area of cultural history and the numerous color illustrations encourage a playful investigation of the many threads of Japan’s visual culture.
His woodblock prints were so popular that dealers sold them individually, destroying most complete sets. A collector's delight, this exquisite edition reprints a 1930s facsimile, alive with 150 color illustrations of the highest quality.
Gli originali sono conservati al Riccar Art Museum di Tokyo, che possiede la più grande e celebrata collezione di questo tipo di opere. Il saggio introduttivo è ad opera del curatore del Museo, Mitsunobu Sato.