Since the publication of Vito Russo's seminal study The Celluloid Closet in 1981, much has been written about the representation of queer characters on screen. Until now, however, relatively little attention has been paid to how queer sexualities were portrayed in films from the silent and early sound period. By looking in detail at a succession of recently-found films and revisiting others, Shane Brown examines images of male-male intimacy, buddy relationships and romantic friendships in European and American films made prior to 1934, including Different from the Others and All Quiet on the Western Front. He places these films within their socio-political and scientific context and sheds new light on how they were intended to be viewed and how they were actually perceived. In doing so, Brown offers his readers a unique insight into a little known area of early cinema, queer studies and social history.
By looking in detail at a succession of recently-found films and revisiting others, Shane Brown examines images of male-male intimacy, buddy relationships and romantic friendships in European and American films made prior to 1934, including ...
Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.
The steady development of queer theory over the last two decades has provided useful analytical tools and the will to dismiss the watchdog of heteronormativity. Modes of reading have evolved, as this volume of FLS amply attests.
The most up-to-date and comprehensive book of its kind, it explores the ever-changing images of queer characters onscreen as well as the work of queer filmmakers and the cultural histories of queer audiences--from the works of discreetly ...
In Queer Timing, Susan Potter offers a counter-history that reorients accepted views of lesbian representation and spectatorship in early cinema.
In Queer Timing, Susan Potter offers a counter-history that reorients accepted views of lesbian representation and spectatorship in early cinema.
In this book, Darren Elliott-Smith departs from the analysis of the monster as a symbol of heterosexual anxiety and fear, and moves to focus instead on queer fears and anxieties within gay male subcultures.
This provocative book is of vital interest to students and researchers of queer cinema, queer/feminist theory, embodiment and affect and offers a unique new way of understanding the relationship between queerness, feminism, the body and ...
London : Routledge , 1996 . - . Introduction , ( Re ) placings . ' In Duncan , ed . , pp . 1-10 . ' Renegotiating Gender and Sexuality in Public and Private Spaces . In Duncan , ed . , pp . 127-45 . During , Simon .
Haynes, introduction to “Far from Heaven,” “Safe,” and, “Superstar,” xii. 21. A fecund new essay has recently appeared, albeit one focused largely on films more recent than those I am concerned with here: San Filippo, ...