This volume carves out a new area of study, the ‘industrial Gothic’, placing the genre in dialogue with the literature of the Industrial Revolution. The book explores a significant subset of transatlantic nineteenth-century literature that employs the tropes, themes and rhetoric of the Gothic to portray the real-life horrors of factory life, framing the Industrial Revolution as a site of Gothic excess and horror. Using archival materials from the nineteenth century, localised incidences of Gothic industrialisation (in specific cities like Lowell and Manchester) are considered alongside transnational connections and comparisons. The author argues that stories about the real horrors of factory life frequently employed the mode of the Gothic, while nineteenth century writing in the genre (stories, novels, poems and stage adaptations) began to use new settings – factories, mills, and industrial cities – as backdrops for the horrors that once populated Gothic castles.
The Gothic is more than just maidens-in-peril fleeing supernatural villains in another age. Historically, it was a form used to depict and critique the dangerous labour conditions faced by workers during the Industrial Revolution.
Industrial gothic
Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.
P-Orridge's music—the first wave of industrial, or “industrial culture” —was as far from Gothic as possible, but his contacts with Sioux did much to introduce Crowley in the Gothic milieu. Later, P-Orridge would become an inspiration ...
Owen Davies sees in Bran's actions a subconscious but undeniable echo of his mother, Gwen, and says: 'Blood will tell, they say. Blood will tell. She came here out of the mountains, out of darkness to this place, and so this is where ...
(Johnson was a contributor to the original Sub Pop fanzine, several years before Beat Happening's first release.) Further exposure was granted by the involvement of producers Steve Fisk, Mark Lanegan, and Gary Lee Connor, ...
Accessed Aug. 14, 2012, . Idelson, Karen. “Member Gives the 'Skinny' on Breakup Rumors, Album." Arizona Daily Wildcat. Via rec.music.industrial. May 1992.
50 By the 1840s, a different variety of the gothic developed in English fiction in response to the Industrial Revolution. The fiction of Charles Dickens, Elizabeth Gaskell, and Benjamin Disraeli – sometimes labeled “Condition of ...
of the killer), the Gothic lineage he traces between these films and the modern slasher film remains focused more upon ... genre are the films' integration of the elaborate death scenes with a modern form of urban and industrial Gothic, ...
Presenting a global set of case studies that span five continents and 22 cities, the essays in this book advance our understanding of how the dynamic interplay between economic and political context, institutional arrangements, and social ...