Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
Examines the failure of liberalism during the threatened collapse of financial systems in the 2009 worldwide recession, during which large amounts of cash were distributed to save financial institutions without regard for other liberal ...
How artists created an aesthetic of “positive barbarism” in a world devastated by World War II, the Holocaust, and the atomic bomb In Brutal Aesthetics, leading art historian Hal Foster explores how postwar artists and writers searched ...
Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this ...
This reduction of abstraction to design , decoration , even kitsch was extreme in the citation of op art by Ross Bleckner , Phillip Taaffe , and Peter Schuyff . As Bleckner noted in a characteristically sardonic way , op art was ...
Looking into the face of our alleged ape ancestor, popular Christian apologist Hank Hanegraaff dissects and debunks the astonishingly weak arguments for the evolutionary theory, revealing it as nothing more than a "fairy tale for grown-ups.
And all the while, work is underway on the blockbuster film Incarnation, an epic space tragedy... 'Dazzling.
Witty and wry, The Occasional Virgin is a poignant and perceptive story of the tumultuous lives and sometimes shocking choices of two women successful in their careers but unlucky in love.
This anthology presents, in chronological order, all the texts by collective artist Claire Fontaine from 2004 to today.
In an era where virtually every corporate misstep leads to a class action lawsuit, this misstatement could prove troublesome.” A graduate of Otterbein University (Ohio) and New York University Law School, T. C. Morrison spent his 50-year ...
The end of the 19th century—a vampire's wife is murdered, and the detective known as the "cage user" is called in to solve the crime.