The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance. In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?
This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns.
In The Future of the Image, Jacques Rancire develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined.
"Outside Theater looks at how written words and performances have been used to promote civic engagement and provoke activism in Mexico"--Provided by publisher.
The critique of modernist ideology from France's leading radical theorist In this book Jacques Rancière radicalises his critique of modernism and its postmodern appendix.
... Philosophy and Aesthetics, Design Department, Hamburg University of Applied Sciences, Germany Performance Philosophy is an emerging interdisciplinary field of thought, creative practice and scholarship. The Performance Philosophy book ...
" So begins this provocative book by one of the foremost figures in Continental thought. Here, Jacques Ranciere brings a new and highly useful set of terms to the vexed debate about political effectiveness in the face of a new world order.
But political realists, remarks Jacques Ranciere, are always several steps behind reality, and the only thing which may come to an end with their dominance is democracy. ‘We could’, he suggests, ‘merely smile at the duplicity of the ...
Together these essays serve as a superb introduction to the work of one of the world's most influential contemporary thinkers.
Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre.
to vanish was the order whereby a human nature that legislates on art was tied to a social nature that determined place in society and the 'sense' appropriate to that place. The revolutionary reign of nature thereby becomes a vain dream ...