Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
The new essays in this collection, however, point to a resurgence of the theme of slavery in American cultural artifacts from the late twentieth- and twenty-first centuries.
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual...
These poems balance the death of family members against the monologue of a women who comes to life under the coroner's knife. Afterimages is a journey of the eye, what the eye observes and what the eye cannot forget.
Afterimages
Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance ...
Cambridge:Cambridge UniversityPress. Originaledition 1983. Belsey,Catherine.1994a. Desire:LoveStoriesinWestern Culture. Oxford,UK and Cambridge, USA: Blackwell. ______. 1994b. 'Postmodern Love: Questioning the Metaphysics ofDesire'.
Richards explores " what it means to think the fictive thought of imperial control " ( 2 ) through a range of novels — Kipling's Kim , Stoker's Dracula , Wells's Tono - Bungay , and Childers's Riddle of the Sands . 22.
In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it.
Afterimages of Modernity: Structure and Indifference in Twentieth-century Literature
Afterimages is a dream'ss lingering reflection captured by the poetry and photography of Carrie and Peter Karegeannes.