This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
The book examines the lived experience of worship in early medieval England and Ireland, ranging from public experience of church and stone sculptures, to monastic life, to personal contemplation of, and meditation on, manuscript ...
... The Lost Art of the Anglo - Saxon World ( Oxford , 2019 ) ; R. M. Wilson , The Lost Literature of Medieval England ( London , 1952 ) . How do we historians of material culture deal with such. 8 On the discovery of the Staffordshire Hoard ...
... Anglo Saxon England and the Norman Conquest ( Routledge , 1991 , 2nd edn ) ; Lester - Makin , Alexandra , The Lost Art of the Anglo - Saxon World : The Sacred and the Secular Power of Embroidery ( Oxbow Books , 2019 ) . 6. Pitts , M. W. ...
This book presents a colection of colour pla tes from famous illuminated manuscripts that emerged from mo nasteries and island workshops during the 7th and 8th centur ies A.D., including...
The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a...
The essays in this volume address Pound's diverse aesthetic concerns, including his Vorticism and his criticism of Western metaphysics, his advancement of the machine as a new criterion for beauty, his encounter with the German Bauhaus ...
People have written by hand for thousands of years— how, Hensher wondered, have they learned this skill, and what part has it played in their lives? The Missing Ink tells the story of this endangered art.
This book looks at these best-practice examples – in Germany, the Netherlands, France and Scandinavia, – and suggests ways in which the UK and other countries could do the same. The book is in three parts.
Presents illustrations of lost worlds defined in histories, myths, legends and folklore, including such places as Aratta, Atlantis, Camelot, and Ultima Thule.
52 H. Edwards, 'Cynewulf', ODNB; EHD, i, 175–6, 179–80, 837. 53 Ibid., 175–6. For discussion, see e.g. H. Kleinschmidt, 'The Old English Annal for 757 and West Saxon Dynastic Strife', Journal of Medieval History, 22 (1996); B. Yorke, ...