Despite the occasional upsurge of climate change scepticism amongst Anglophone conservative politicians and journalists, there is still a near-consensus amongst climate scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to disastrous effect. The resultant climate crisis is simultaneously both a natural and a socio-cultural phenomenon and in this book Milner and Burgmann argue that science fiction occupies a critical location within this nature/culture nexus. Science Fiction and Climate Change takes as its subject matter what Daniel Bloom famously dubbed 'cli-fi'. It does not, however, attempt to impose a prescriptively environmentalist aesthetic on this sub-genre. Rather, it seeks to explain how a genre defined in relation to science finds itself obliged to produce fictional responses to the problems actually thrown up by contemporary scientific research. Milner and Burgmann adopt a historically and geographically comparatist framework, analysing print and audio-visual texts drawn from a number of different contexts, especially Australia, Britain, Canada, China, Finland, France, Germany, Japan and the United States. Inspired by Williams's cultural materialism, Bourdieu's sociology of culture and Moretti's version of world systems theory, the book builds on Milner's own Locating Science Fiction to produce a powerfully persuasive study in the sociology of literature.
Renée Sieber, Kim Stanley Robinson, Euan G. Nisbet, Sarah Dillon and Andrew Milner, 'Climate Change Narratives', Loncon 3. The 72nd World Science Fiction Convention ... Cat Sparks, Lotus Blue (New York: Talos Press, 2017).
This is an original and powerful book that makes the case that the scientifically documented crisis of climate change must also be addressed through outsider imaginations.”—Alex Rivera, director of Sleep Dealer “Shelley Streeby ...
Terrorists, godlike terraformers, and humans both manipulative and hapless populate these pages. The variety of stories reflects the possibilities of our future: grim, hopeful, fantastic and absurd.
Would you rather be a florist or a truck driver? These are some of the questions that determine if you have what it takes to survive at South Pole Station, a place with an average temperature of -54°F and no sunlight for six months a year.
ONE OF BARACK OBAMA'S FAVOURITE READS OF THE YEAR 'If I could get policymakers and citizens everywhere to read just one book this year, it would be Kim Stanley Robinson's The Ministry for the Future' Ezra Klein, Vox 'A great read' Bill ...
But look, you put your tap in, through your own covert channel no less, and next thing we know we're trapped in a container decked out like some kind of limbo. Maybe the cloud killed us, and this is us dead.” “No.
This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the novel; they are automatically consigned to other genres.
Drawing on climatology, the sociology and philosophy of science, geography, and environmental economics, Adam Trexler argues that the novel has become an essential tool to construct meaning in an age of climate change.
Blending the story of Austral's flight with the fractured history of her family and its role in the colonisation of Antarctica, Austral is a vivid portrayal of a treacherous new world created by climate change, and shaped by the betrayals ...
This book asks how science fiction has imagined how we shape both our world and other planets and how stories of terraforming reflect on science, society and environmentalism.