"What is life? A frenzy. What is life? An illusion, a shadow, a fiction; and the greatest good is fleeting, for all life is a dream, and even dreams are but dreams." That is the haunting lesson learned by Prince Sigismund in Life's a Dream ( La vida es sueno ), the best known and most widely admired play of Catholic Europe's greatest dramatist, Pedro Calderon de la Barca. Calderon's long life (1600-1681) witnessed the pinnacle and collapse of Spanish political power as well as the great flowering of classical Spanish literature. He inherited his dramatic principles from his brilliant predecessor, Lope de Vega, perfecting his formula with more economical plots, greater subtlety of thought, and, in some cases, deeper character development and psychological insight. The English Romantic poet, Percy Bysshe Shelley, one of the first translators of Calderon into English, was of the opinion that he "exceeds all modern dramatists, with the exception of Shakespeare, whom he resembles, however, in the depth of thought and subtlety of imagination of his writings, and in the rare power of interweaving delicate and powerful comic traits with the most tragical situations." Nowhere is Calderon's talent more evident than in Life's a Dream, the poignant tale of a prince imprisoned at birth by his astrologer-king father and liberated on the same day a beautiful woman stumbles into his life. The interwoven themes of love, loss, power, and destiny make it the peer of such plays as Oedipus and Hamlet. With the collaboration of Jonathan Thacker of Merton College, Oxford, Michael Kidd (Augsburg College, Minnesota) offers a British adaptation of his award-winning American prose translation, recipient of the Colorado Endowment for the Humanities Publication Prize in 2004. The volume comes with a generous set of supplementary materials including critical introduction, translator's notes, suggestions for directors, bibliography, and glossary.
Tavi checked around quickly for tracks , but he found only the hoof - marks of the sheep and then some marks he was not familiar with , and could not even be sure were tracks . One partially disturbed track may have been the outline of ...
Now available for the first time in paperback, The Memories of Ana Calderón is the fictional memoir of a talented woman, born in tradition-bound rural Mexico, who comes to the United States and greater opportunity only to find that here, ...
Reproduction of the original.
As if combating vicious narco-syndicates were not a sufficiently formidable challenge, the Mexican government has assigned such additional roles to the Army and Navy as overseeing customs agents, serving as state and municipal security ...
Select Plays of Calderón
Calderon
In addition to his own readings of the works, Calderón also includes the writers' perspectives on their place in American/Mexican literature through excerpts from their personal papers and interviews, correspondence, and e-mail exchanges ...
" The Life and Times of José Calderon — compiled from papers he left behind and the cryptic asides he made to the few acquaintances he let into his musty house on Independence Avenue in Anytown, USA, where he lived with a rambunctious ...
Brief analyses of nine of Calderon's plays are accompanied by biographical information and a discussion on the theater during Spain's Golden Age
As a child, Ilia Calderón felt like a typical girl from Colombia. In Chocó, the Afro-Latino province where she grew up, your skin could be any shade and you’d still be considered blood.