Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. It offers an original approach to Romanticism that demonstrates, against the grain, the dominant intellectual preoccupation of the era: the relationship between the mortal and the eternal. The project's scope is two-fold: firstly, it analyses the prevalence and range of images of eternity (from apocalypse and afterlife to transcendence) in Romantic poetry; secondly, it opens up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity. Every poet featured in the book seeks and finds their uniqueness in their apprehension of eternity. From Blake’s assertion of the Eternal Now to Keats’s defiance of eternity, Wordsworth’s ‘two consciousnesses’ versus Coleridge’s capacious poetry, Byron’s swithering between versions of eternity compared to Shelleyan yearning, and Hemans’s superlative account of everlasting female suffering, each poet finds new versions of eternity to explore or reject. This monograph sets out a paradigm-shifting approach to the aesthetic and philosophical power of eternity in Romantic poetry.
This book's focus is on the socialization of the imagination, and Romantic poetry is viewed as simultaneously a poetry of growth and of defense. This theme is followed in chapters...
The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times ...
Collects forty-six poems and extracts of poems by William Wordsworth, with a biographical introduction and a chronology
This is also the most diverse anthology of Romantic literature: out of twenty-seven authors, fifteen are male and twelve female.
‘Eternity is in love with the productions of time’. This original edited volume takes William Blake’s aphorism as a basis to explore how British Romantic literature creates its own sense of time.
... they see – So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar? 11. THOMAS MOORE Oh! Blame Not the Bard (1810) Oh! blame not the bard, if he fly to the bowers Where Pleasure lies carelessly ...
Cliff and river , tomb and spring , bones and Adam's red flesh alternate in nature , and so do the just man and villain in the history of society . As the cycle turns , a merely ironic progression is always taking place .
'Eternity is in love with the productions of time'. This original edited volume takes William Blake's aphorism as a basis to explore how British Romantic literature creates its own sense of time.
First published in 1968 under title: The Penguin book of English romantic verse.
This book provides a lively exploration of the way in which several of the major British Romantic poets confront the writing and theorising of poetry.