The Father of English painting, William Hogarth aspired to an art that would engage and delight ordinary citizens, rather than educated connoisseurs and critics, whom he despised. He achieved this ambition by creating a new type of painting, a comic strip-like series of pictures called ‘modern moral subjects’. Famous examples such as ‘A Harlot's Progress’, ‘A Rake's Progress’ and ‘Marriage A-la-Mode’ were reproduced en masse as popular engravings and were accessible to all. His work also provided a visual influence to the satirical works of England’s great men of letters. More importantly, Hogarth’s extraordinary achievement of securing a Copyright Act would benefit countless artists in all media to the present day. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Hogarth’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of William Hogarth – hundreds of images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Hogarth’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes a wide selection of Hogarth’s prints – explore the artist’s varied works * Hogarth’s treatise of art: ‘The Analysis of Beauty’ * A special criticism section, with eight seminal essays exploring Hogarth’s contribution to the development of British art * Features four bonus biographies – immerse yourself in Hogarth’s world CONTENTS: The Highlights Masquerades and Operas (1724) Emblematical Print on the South Sea Scheme (1724) Conversation Piece (c. 1731) A Harlot’s Progress (1731) A Rake’s Progress (1734) Self Portrait (1735) Jesus at the Pool of Bethesda (1737) Four Times of the Day (1738) Portrait of Thomas Coram (1740) Marriage à-la-mode (1745) The Painter and his Pug (1745) David Garrick as Richard III (1745) The Shrimp Girl (c. 1745) The Gate of Calais or O, the Roast Beef of Old England (1748) Beer Street and Gin Lane (1751) Sigismunda Mourning over the Heart of Guiscardo (1759) Credulity, Superstition and Fanaticism (1762) The Paintings The Complete Paintings Alphabetical List of Paintings The Prints List of Prints The Book The Analysis of Beauty (1753) The Criticism Preface to ‘Joseph Andrews’ (1742) by Henry Fielding Letter to George Montagu, Esq. (1761) by Horace Walpole Characters of Hogarth (1765) by Horace Walpole On the Genius and Character of Hogarth (1811) by Charles Lamb Hogarth, Smollett, and Fielding (1853) by William Makepeace Thackeray Hogarth’s Works: First Series (1874) by John Ireland and John Nichols Hogarth and His Time (1877) by James Parton Hogarth’s Sigismunda (1892) by Austin Dobson The Biographies Biographical Anecdotes of William Hogarth (1785) by John Nichols William Hogarth (1900) by Austin Dobson Hogarth (1912) by Arthur St. John Adcock Hogarth by (1913) C. Lewis Hind Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
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This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
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Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...