This collection of essays displays the range and breadth of Hitchcock scholarship and assesses the significance of his body of work as a bridge between the fin de siecle culture of the 19th century and the 20th century. It engages with Hitchcock's characteristic formal and aesthetic preoccupations.
For this book, Whitty draws on primary-source materials such as interviews he conducted with associates of the director—including screenwriter Jay Presson Allen (Marnie), actresses Eva Marie Saint (North by Northwest) and Kim Novak ...
... been ill served by the over-use of what Christopher Williams has called 'the clumsy club of ideology' (1994, p. 276). Richard Allen shares these suspicions, stating that 'with sufficient ingenuity, all films become available for a ...
The Albert Hall sequence is perfectly balanced and in fact fulfilled by the episode at the embassy which follows immediately; in Man-1, the concert was followed by an annoyingly anticlimactic shoot-out. Herc, Hank is locked in an ...
. . . There is no complete index to Hitchcock's career like this one and critics and historians will mine Sloan's work with enormous profit. . .
Profiles the life and accomplishments of the British filmmaker known for his distinctive style of directing and his films that featured suspenseful and surprising plots.
... and it took eight years to complete his four - picture deal . ... Money was no object Valli , Ann Todd , and Hitchcock during filming of The Paradine ...
In assigning Rebecca to Hitchcock, Selznick made a point of insisting that the director remain faithful to the du Maurier novel—a requirement that rankled. Hitchcock had adapted a du Maurier work before (Jamaica Inn) and would again ...
With illustrations throughout and sidebars showcasing Hitchcocks techniques and directing style, Alfred Hitchcock reveals how some of the greatest films ever created came to be through the life and work of one of the most admired filmmakers ...
He is domineering in his insistence that the business transaction be done according to his whims , and in his treatment not only of the women but of Lowery the boss , whom he humiliates ( with his “ bottle in the desk " remark ) and ...
This work discovers Hitchcock's early talent and skill through close readings of the films from The Pleasure Garden to the silent version of Blackmail, using shot-by-shot descriptions and interpretations.