Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the greatest noir films of Classical Hollywood cinema. Richard Deming's study of the film considers it as an outstanding example of the noir genre and explores its complex relationship to its source novel, Badge of Evil by Whit Masterson. He traces the film's production history, and provides an insightful close analysis of its key scenes, including its famous opening sequence, a single take in which the camera follows a booby-trapped car on its journey through city streets and across the border.
. . . Recommended." --Film Study "This is a welcome addition to the growing collection of scripts of film classics, one to put on the shelf next to Welles's Citizen Kane. . . . Recommended.
Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh
"Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the ...
Publisher description
by James Agee for being a “tidy, engaging thriller . . . much more graceful, intelligent, and enjoyable than most other movies.” In fact, however, Agee was being consistent in his dislike for Welles's style, which he had always found ...
This volume begins with Welles’s self-exile from America, and his realization that he could function only to his own satisfaction as an independent film maker, a one-man band, in fact, which committed him to a perpetual cycle of money ...
A revisit of the 1950s classic that inspired Orson Welles's film Touch of Evil Assistant District Attorney Mitch Holt suspects the wrong people have been arrested in the murder of Rudy Linneker.
A Touch of Evil
This powerful novel, on which Orson Welles based his famous 1958 film, is a sleek, dark indictment of the American justice system--an original American masterpiece. Masterson looks at corruption in society and shows how it taints all of us.
De Rochemont's first semi-documentary was The House on 92nd Street (1945), directed by Henry Hathaway, which was a critical and popular success. De Rochemont, who had made the 'March of Time' newsreels, imported newsreel techniques: a ...