The word "Noir" is used here in its loosest sense: every major living American writer is considered (including the giants Harlan Coben, Patricia Cornwell, James Lee Burke, James Ellroy and Sara Paretsky, as well as non-crime writers such as Stephen King who stray into the genre), often through a concentration on one or two key books. Many exciting new talents are highlighted, and Barry Forshaw's knowledge of—and personal acquaintance with—many of the writers grants valuable insights into this massively popular field. But the crime genre is as much about films and TV as it is about books, and this book is a celebration of the former as well as the latter. American television crime drama in particular is enjoying a new golden age, and all of the important current series are covered here, as well as key important recent films.
Collects the best noir writing from 1910 to 2010, including works by James M. Cain, Joyce Carol Oates, Elmore Leonard, Dennis Lehane, Evan Hunter, Mickey Spillane, Patricia Highsmith, and William Gay.
Last Warning , The Univ 1929. Prod : Carl Laemlle . Dir : Paul Leni . Scr : A.A. Cohn , J.G. Hawks , R.F. Hill , T. Reed . Cast : Laura La Plante , Montagu Love , Roy D'Arcy . Laura Fox 1944. Prod : Otto Preminger .
5 A new book by William Luhr, Raymond Chandler and Film, promises to address these issues in Chandler better. 6 Salt has also shown how the studios leapt at opportunities to reduce their huge electrical consumption.
Henry Hathaway Kiss the Blood off My Hands (Universal-International) 1948, d. Norman Foster Kiss Tomorrow Goodbye (Warner Bros.) 1950, d. Gordon Douglas The Lady from Shanghai (Columbia) 1948, d. Orson Welles The Lady in the Lake (MGM) ...
This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.
The Michael Curtiz version (1938) remains definitive, not just because of the performance of Er- rol Flynn, but because of the unctuously nasty Claude Raines and Basil Rathbone in the roles of the usurper and his functionary.
A brilliant, interdisciplinary examination, this is a work that will appeal to a broad spectrum of readers.
In a fascinating re-evaluation of "American noir," Thomas Hibbs argues that these powerful tales of sin and redemption embody religious themes that are essential for cultural renewal.
The stories in USA Noir “represent the best of the U.S.-based anthologies, and the list of contributors include virtually anyone who’s made the best-seller list with a work of crime fiction in the last decade . . . a must-have ...
Neon Noir, the follow-up to Woody Haut's highly regarded Pulp Culture, brings the story of American crime fiction and film uptodate. From the Kennedy assassination to the Vietnam War and...