This monograph investigates the promotion and consumption of high musical culture among leisured society in Victorian London, by focusing on the activities of the concert manager John Ella and his Musical Union [1845-81], an eminent, long-lived institution for chamber music, much fêted across Europe in its day. It combines a biography of Ella with a social-economic history of the Musical Union, its players, repertoire and audiences, and sets them against the gradually shifting contexts for London concerts, chamber music and cultural life. Ella's extraordinary life story, which began in provincial, artisan-class obscurity and ended in the upper echelons of London society, shapes the narrative. Such themes as entrepreneurship, concert management, taste shaping, music appreciation and elite social networks are discussed throughout, as is the curious interplay between the desire to 'sacralize' chamber music, especially Beethoven's, on the one hand, and the need to survive amid the increasing commercial imperatives of London concert life on the other. CHRISTINA BASHFORD is Assistant Professor of Musicology at the University of Illinois at Urbana-Champaign.
... 275, 418 Milligan, Barry, 53, 55,356, 357 Mills Harper, George, 386 Mills Harper, Margaret, 386 Mills, James H., 366, 367 Mind-at-Large, 211–212, 219, 313 Mingus, Charles, 253 Mitchell, Joni, 324 Mitchell, Leslie, 354, 382 Mitchill, ...
Drugs, Mysticism, and the Pursuit of Transcendence in the Modern World Christopher Partridge. Noses. IN T R O DUCTION . Nietzsche's comment in The Gay Science ($86) regarding culture and addiction is commonly translated “higher culture.
William H. Willimon, “Recreational Sex,” Christian Century, April 19, 2005, 20. 33. Kimberly Peirce (director of Boys Don't Cry) quoted in Glenn Kenny, “Breaking the Sex Barrier,” Premiere, March 2000, 63. Notes 34.
"History is littered with evidence of humanity's fascination with drugs and the pursuit of altered states.
For data on records sold, see Russell Sanjek, From Print to Plastic: Publishing and Promoting America's Popular Music (1900–1980) (Brooklyn: Institute for Studies in American Music, 1983), p. 8. 38. Group members favored artistic purity ...
In her exemplary study of The Pursuit of High Culture: John Ella and Chamber Music in Victorian London, Christina Bashford assesses how Ella's “importance stems from his success both in shaping the taste of audiences and conditioning ...
Ernest L. Boyer, High School: A Report on Secondary Education in America (New York: Harper and Row, 1983), p. 58. Support for this criticism is ample: California requires the teaching of "kindness towards domestic pets"; ...
116See Musgrave, The Musical Life of the Crystal Palace (Cambridge: Cambridge University Press, 1995), 120–23, and Christina Bashford, The Pursuit of High Culture: John Ella and Chamber Music in Victorian London (Woodbridge: The Boydell ...
The European model serves as an impetus for a related model that may be simply referred to as 'high culture'. ... indeed found that nice bars and restaurants were a good deal more favoured than the pursuit of high-culture entertainment.
Black Culture. The Introduction to this edition has already pointed to race as a new source of cultural ... The academic pursuit of black professors has provided a growing home for academic, as well as literary, black high culture, ...