In an age of proliferating choices, television nevertheless remains the most popular medium in the United States.Americans spend more time with TV than ever before, and many 'new media' forms, such as blu-ray movies, Hulu videos, and Internet widgets, are produced and delivered by the world s most lucrative and powerful television industry. Yet that industry has undergone profound changes since the 1980s, moving from a three-network oligopoly to a sprawling range of channels and services dominated by a handful of major conglomerates. Viewers cannow accesshundreds of channels at all hours of the day and can search and select from hundreds of thousands of individual programmeson video and Internet services. This diversity has fragmented the size of television audiences and transformed relationships between viewers and television companies. Unlike the first fifty years of television, today'sindustry leaderscan no longer rely on mass audiences and steady revenue flows from big-budget advertisers, and this in turn affects their programming and production strategies.
A comprehensive survey of the television research, experiments, and telecasting conducted prior to the medium's commercial authorization in 1941.
This edition of a study examining the history and development of the American television industry has been revised and updated to include a new chapter dealing with the changes of the 1980s and looking ahead to the 1990s.
Quoted in Roberta E. Pearson and Máire Messenger Davies, “'You're Not Going to See That on TV': Star Trek: The Next Generation in Film and Television,” in Quality Popular Television, ed. Mark Jancovich and James Lyons (London: BFI ...
Tom Bradshaw, “How an Indie 'U' Made It Big with 'Good Old Days' Programming,” Television/Radio Age, 24 June 1974, p. 26. 7. Ibid., p. 51. 8. Goldberg and Goldberg, Citizen Turner, p. 133; Bradshaw, “How an Indie 'U' Made It Big,” pp.
As the title implies, the business of television rather than its programming is the focus of this historical dictionary. Its entries briefly relate the histories of production companies, networks, cable...
"Just a few years in the mid-1950s separated the "golden age" of television's live anthology drama from Newton Minow's famous "vast wasteland" pronouncement. Fifties Television shows how the significant programming...
In the 1980s cable news further transformed broadcasting, igniting intense competition for viewers in the media marketplace. Focusing on both national and local news, this stimulating volume examines the evolution of broadcast journalism.
Watching TV remains the only book about television to go beyond mere alphabetical listings and limited reminiscences about the medium's most popular programs. Harry Castleman and Walter J. Podrazik present...
Dealing primarily with the post-1996 era shaped by digital technologies and defined by consumer choice and brand marketing, this book brings together leading scholars, established journalists and experienced broadcasters working in the ...
Although the "decline" of network television in the face of cable was a crisis in television history, John Caldwell finds that it spawned new production initiatives to reassert network authority.