Magnificently illustrated throughout, and with a six-color gold-foil cover, this remarkable book provides an all-encompassing survey of the literature, painting, sculpture, architecture, and decorative arts of the Renaissance.
A richly illustrated guide to the key figures, themes, events, symbols and emblems of Western painting form medieval times to the twentieth century.
Symbols are the language of the mind. The Secret Language of Symbols is a richly colorful visual guide to the symbols that dominate our thoughts and dreams.
Describes the concepts found in paintings created during the Renaissance in Italy, with each entry including a notable painting, notes about the concept, a short biography of the artist, and an interpretation of significant sections.
As so often happens when trying to recapture a dream, he cannot remember just who did it, though it may have been the Cardinal—who has been his enemy “from back to the beginning of 1 Henry VI in play time,” as Nicholas Grene puts it.5 ...
This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century.
An exploration of the role of the book, the map, and the European concept of literacy in the conquest of the New World
Whether you see red, are a shrinking violet, or talk a blue streak, this is the perfect book for anyone interested in the history, science, culture, and beatuty of color in the natural and man-made world.
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Today, in an age less attuned to iconography, such places of worship are often seen merely as magnificent works of architecture. This book restores the lost spiritual meaning of these fine and fascinating buildings.
D. Landau and P. Parshall , The Renaissance Print , 1470-1550 ( New Haven , 1994 ) , 9 . 29. A. M. Hind , Early Italian Engraving ( London , 1938-48 ) , i . 42-3 . 30. D. Chambers and B. Pullen , with J. Fletcher , Venice : A ...