This book explores the relationship between tourism and the moving image, from the early era of silent moving pictures through to cinema as mass entertainment. It examines how our active and emotional engagement with moving images provides meaning and connection to a place that can affect our decision-making when we travel. It also analyses how our touristic experiences can inform our film-viewing. A range of genres and themes are studied including the significance of the western, espionage, road and gangster movies, along with further study of film studio theme parks and an introduction to the relationship between gaming and travel. This book will appeal to tourism scholars as well as film studies professionals, and is written in an accessible manner for a general audience.
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Bachelor Thesis from the year 2016 in the subject Tourism - Miscellaneous, grade: 1,50, Management Center Innsbruck, language: English, abstract: Homo Sapiens is the story telling animal and for more than 100 years, it is film, more than ...
Few dedicated film tourists could be divided in two groups depending on what they sought.
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In this text, which reads in part like a forensic mystery, Garrard builds not only an argument for attributions of particular works, but a new understanding of Gentileschi herself at a particular moment in history.
With regard to the active sport tourist, the term apprenticeship pilgrimage can be used (Griffith, ... Such places can be far from the 'pilgrim's' home but are considered worthy of the journey as they offer transformative experiences ...
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Samuel Taylor Coleridge refers to this isolation and union when defining the manner in which the poet's imagination constructs allegories, here quoted from Lecture III of 1818, in Coleridge's Miscellaneous Criticism, ed.