This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Fragmenting modernism' is about Ford Madox Ford, a hero of the modernist literary revolution. Ford is a fascinating and fundamental figure of the time; not only because as a friend and critic of Ezra Pound and Joseph Conrad, editor of the 'English Review', and author of 'The Good Soldier', he shaped the development of literary modernism. But as the grandson of Ford Madox Brown, and son of a German music critic, he also manifested formative links with mainland European culture and the visual arts. In Ford there is the chance to explore continuity in artistic life at the turn of the century, as well as the more commonly identified pattern of crisis in the time. The argument throughout is that modernism possesses more than one face. Setting Ford in his cultural and historical context, the opening chapter debates the concept of fragmentation in modernism; later chapters discuss the notion of the personal narrative, and war writing. Ford's literary technique is studied comparatively, and plot summaries of his major books ('The Good Soldier' and 'Parade's End') are provided, as is a brief biography. 'Fragmenting Modernism' will be useful for anyone studying the literature of the early twentieth century, impressionism or modernism in general terms, as well as for those who seek to investigate in detail one of the great polymorphous figures of the time.
This book explores two questions: why should we, and how can we, reintegrate being, knowing, and believing?
Focusing primarily on the writers who came to define the Anglophone modernist canon — Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were ...
Clapham Sect 150–151, 155 Claudel, Paul 174 Colombo, Daria 62 Comte, Auguste 2 concrete individual phenomena 15 condensation in dreams 72 Conway, Mrs. Hearn 39–40, 43 Cosgrove, Vincent 42 Costello, Peter 39 Count of Monte Cristo, ...
Stories that have structure and a climax and seem like something created according to an American model, to the contrary, ... in “the Essence of the Short Story,” Wang wrote, “At least we hope that the short story can assimilate the ...
This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate.
This book explores two questions: why should we, and how can we, reintegrate being, knowing, and believing?
New York: Basic Books, 2000; Reprinted in Globalistics and Globalization Studies: Aspects & Dimensions of Global Views, edited by L. Harrison and S. Huntington, 104–11. Volgograd, Russai: U itel Publishing House, 2014. ———.
Essay from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,7, Queen's University Belfast, 6 entries in the bibliography, language: English, abstract: This essay will focus on two modernist works ...
An exploration of how key modern writers challenged conventional ways of characterizing selfhood, thus developing a discourse expressive of the subtleties of experience in a post-Freudian world long before the self-representation theories ...
This volume aims to investigate some of the most important contributions to fragmentary literature from British and American writers since the 1990s, with a particular emphasis on texts released in the twenty-first century.