From 1942 to 1951, 365 men and women from thirteen Allied nations served as the men and women of the Monuments, Fine Arts & Archives section (MFAA) of the Allied armed forces, the eyes, ears and hands of the first and most ambitious effort in history to preserve the world's cultural heritage in times of war. They were known simply as Monuments Men. But during the thick of the fighting in Europe, from D-Day to V-E Day, when Germany surrendered, there were only 65 Monuments Men in the forward operating area. Sixty-five men to cover thousands of square miles, save hundreds of damaged buildings and find millions of cultural items before the Nazis could destroy them forever. The Monuments Men is the story of seven of these men. Six of them were in the forward operating theatre: America's top art conservator; an up-and-coming young museum curator; a sculptor; a modestly successful portrait painter; a straight-arrow architect and a highly cultured, openly gay infantry private with no prior knowledge of or appreciation for art, but first-hand experience as a victim of the Nazi regime.They built their own treasure maps from scraps and hints: the diary of a Louvre curator who secretly tracked Nazi plunder through the Paris rail yards; records recovered from bombed out cathedrals and museums; overheard conversations and behind-enemy-lines interviews; a tip from a dentist while getting a root canal. They started off moving in different directions, but ended up heading for the same place at the same time: the Alps near the German-Austrian-Italian border in the last two weeks of the war, where the great treasure caches of the Nazis were stored: the artwork of Paris, stolen mostly from Jewish collectors and dealers; masterworks from the museums of Naples and Florence; and the greatest prize of all, Hitler's personal hoard of masterpieces, looted from the most important art collections and museums in Europe and hidden deep within a working salt mine - a mine the Nazis had every intention of destroying before it fell into Allied hands. How does the Greatest Treasure Hunt in History end? As is often the case, history is often more extraordinary than fiction.
Nevertheless, as John peeked out through his blinds at the throng of demonstrators below his office, he longed not for Scollay Square, but for the lifeless City Hall Plaza that had been outside his window only a month prior.
This novel, half-biography, half-thriller, takes place in 1994 when nearly a hundred watercolor works and lithographies from Marc Chagall are stolen.
A MINSTREL PAPERBACK Original A Minstrel Book published by POCKET BOOKS , a division of Simon & Schuster Inc. 1230 ... trademarks of Simon & Schuster Inc. Front cover photo by Pat Hill Studio Printed in the U.S.A. Bonjour , Alex !
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Against a background of controversy over the possibility that works of art owned by American collectors may have originally been stolen by the Nazis from Jews later killed in the holocaust, the story of one work of art Landscape with ...
As World War II rages, Allied agents race against time to protect a priceless masterpiece from Nazi hands.
Schütz was a disaster . Even Peckover , who had never heard of Schütz and had missed four rehearsals , thought the choir's version was probably not as Schütz had intended it . The language was the least of it , being all much the same ...
Mary Anderson, Sal Murdocca.
This is a novel of twists, turns, and intrigue.
A hunt for a stolen painting turns into a murder investigation for Spenser, Robert B. Parker's legendary private eye.