In these new poems, Tony Harrison confronts the unspeakable terrors of the twentieth century. The title poem is the text of his new BBC film poem, The Gaze of the Gorgon, which takes the terrifying creature of legend who turns men to stone as a metaphor for the horrors unleashed in modern warfare. In other poems, such as The Mother of the Muses and the Sonnets for August 1945, Harrison forges his own response to these dark times through the element of fire, seeking - in the source of terror itself - the heart of eloquence and celebratory love. The book includes his powerful Gulf War poems which the Sunday Times called 'mordant masterpieces' and the Times Literary Supplement 'fierce and sardonic'. Winner of the Whitbread Poetry Award.
Magical Mallins Wood is under threat from developers.
M.: Fischer Taschenbuch, 1986. Arnheim, Rudolf. Kritiken und Aufséitze zum Film. Edited by Helmut H. Diederichs Frankfurt a.M.: Fischer Taschenbuch, 1979. Atwell, Lee. G. W. Pabst. Boston: Twayne, 1977. Aust, Stefan.
In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the ...
Upon moving to her aunt's seaside home in the British Isles, Connie becomes part of a secret society that shelters mythical creatures, and must use her ability to communicate with these beings to protect them from evil and the incursions of ...
Mallins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's supernatural Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most ...
While it may well solve serious crimes and even help ease the traffic along your morning commute, it could also enable far more sinister and dangerous intrusions into our lives. This is closed-circuit television on steroids.
Connor O`Goyle IS Monster Boy!
Reflecting a diversity of texts, genres, and media, the chapters focus on sixteenth-century engravings and paintings from the Netherlands and Italy, a scientific romance produced at the turn of the twentieth century by the king of the ...
The book shows how Freud’s, Sartre’s and Lacan’s androcentric views define the Medusa m/other as monstrous, and how the efforts of mothers to nurture may be slighted as inadequate or devouring.
The poem concludes with his witnessing, in the snow outside, a bird's tracks, 'like words', 'like blurred Greek', that return to him (and thereby to the reader) the desire for testimony rather than the testimony itself.