During her short career, Ana Mendieta (1948-1985) created a body of work that was provocative and radically inventive. Using her own body, together with elemental materials - blood, fire, earth and water - she created visceral performances and ritual ephemeral 'earth-body' sculptures exploring life, death, rebirth and spiritual transformation.Born in Cuba but sent to America as a child, much of her art expresses the pain and rupture of cultural displacement and exile. Her images are compelling, mysterious and poetic. In some, the outline of her body is consumed by gunpowder, fireworks, or advancing waves; others record ancient goddess-forms moulded from sand, carved into rock, or incised in clay.This book includes an anthology of never seen before material including Mendieta's own writings and press coverage of her shows. Encompassing a wealth of her drawings, photography and filmography, it also provides a comprehensive and enlightening perspective on this important artist's work.This title accompanies the first monograph exhibition of this artist in the UK at Hayward Gallery, 24 September - 15 December 2013.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
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This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...