Memling, Van Eyck, Antonello da Messina, Raphael, Holbein, Titian, Leonardo . . . these are the greatest names of the Renaissance which symbolize the ultimate in artistic achievement.
A major account of Renaissance portraiture by one of the twentieth century’s most eminent art historians In this book, John Pope-Hennessy provides an unprecedented look at two centuries of experiment in portraiture during the Renaissance.
These paintings, busts, medallions, prints and drawings still bear witness to their power, status, ambitions, friendships and religious convictions.00'Remember Me ' uses international masterpieces and surprising unknowns to tell the ...
“Amore e Virtu: Two Salvers Depicting Boccaccio's 'Comedia delle Ninfe Fiorentine' in the Metropolitan Museum. ... Wilson 1987 Timothy Wilson, with the collaboration of Patricia Collins, and an essay by Hugo Blake.
“Relazione dei lavori eseguiti agli affreschi di Giotto nelle Cappelle Bardi e Peruzzi in S. Croce.” Rivista d'Arte 19, no. 3 (July 1937): 376–89. ... Rosenberg, Adolf. “Der wiedergewonnene Andrea del Sarto des Berliner Museums.
An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries.
This beautifully illustrated book reconceives the Renaissance picture, revealing the passion and mystery of groundwork and discovering figuration beyond the human figure.
An ambitious exploration of the self-portrait from its inception in the late fifteenth century to the end of the twentieth, this ground-breaking book moves beyond the constraints of art history....
The portrait in the Renaissance has long been connected with the cult of personality which emerged in the 15th century and provoked people to record their features accurately for the...
Focuses on European painting of the 15th and 16th centuries and examines works by Altdorfer, Bellini, Bosch, Botticelli, Brueghel, Carpaccio, Correggio, Cranach, Dürer, van Eyck, Giorgione, El Greco, Grünewald, Holbein,...