This thought-provoking book presents a lively introduction to the 20th century's most important artist, Pablo Picasso. Picasso was a passionate student of the European painting tradition, and his memory for images was voracious. Naturally drawn to Spanish masters Velázquez and Goya, he also engaged with such figures as Rembrandt, Delacroix, Ingres, Manet, and Cézanne. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his quotations were direct, other times highly allusive. Always, Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition. This book showcases his extraordinary work, where we witness the daring transformation of the art of the past into, in Picasso's own words, something else entirely. Published by the National Gallery Company/Distributed by Yale University Press
This book showcases how Prince has mined the mythological American West within the artwork he produced during the last four decades.
George Deem: The Art of Art History
More than 600 illustrations of Warhol's works from the fifties to the eighties.
Considered to be a refined and sophisticated artist, Richard Prince has been working intensely over the last two years on his own prticular intellectural assimilation of Picaso, producing an enigmatic succession of canvases and collages ...
"This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler ...
Tiré du colophon de l'ouvrage (vol.1): "Parallel encyclopedia was conceived by Batia Suter between 2004 and 2007 and contains solely images from other books."
"Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht D?rer.
Robert Heinecken (1931- 2006) has been called one of America's most influential contemporary, conceptual photographers, and yet he rarely used a camera.
Consists of images captured by Google Street View.
This publication compiles texts read in the sister reading groups of If I Can't Dance, I Don't Want To Be Part Of Your Revolution, which convened in four cities as part of Edition V Appropriation and Dedication.