This is a multidisciplinary analysis of the relationship between the motor car and popular culture in the 20th century, which brings together original essays by academics in the UK, North America and Australia. The contributors write from a wide range of disciplinary perspectives, including semiotics, social history, literary and film criticism, and musicology. Three main themes are addressed: the car as a cultural image; its impact on leisure and entertainment; and the cultural significance of the processes of manufacturing and selling cars.
In this more negative context, Daniel Lavery's remarks from only a few years ago (which follow the car imagery through) seem optimistic: 'If the membership of the CAR seize the wheel and impose upon it an agenda approximating the ...
For this, I draw on the cultural, political, and economic history of post-war France, considering in particular the intersection of ... The Motor Car and Popular Culture in the 20th Century (Aldershot: Ashgate, 1998), 28–40 (p.
An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library.
Heining , D. ( 1998 ) Cars and girls - the car , masculinity and pop music , in D. Thorns , L. Holden and T. Claydon , eds , The Motor Car and Popular Culture in the 20th Century , Ashgate , Aldershot , 96-119 .
“Transports of Difference and Delight: Advertising and the Motor Car in Twentieth-Century Britain,” in The Motor Car and Popular Culture in the 20th Century. Aldershot: Ashgate, 1998. Pettifer, Julian and Nigel Turner.
Archive, vol. I: The KGB in Europe and the West (1999), has revealed innumerable further men — and women — including the celebrated 'Granny Spy'. M16 files remain closed to researchers, but studies of it include Stephen Dorril, ...
This volume is intended to provide an overview of work on Broadcasting, Film and Print Media from 1900, while appealing to scholars of History and Media, Film and Cultural Studies.
The motor car has thus become an example of the classic Marxist 'commodity fetish'. Indeed Holden (1998) cites Aldous Huxley (1932) and his novel Brave New World in whose dystopian future, Fordism is raised to the status of a religion ...
P. Thompson, 'Imagination and Passivity in Leisure: Coventry Cars: Coventry Car Workers and Their Families from the 1920s to the 1990s', in D. Thoms, L. Holden and T. Claydon (eds), The Motor Car and Popular Culture in the 20th Century ...
Harlow: pearson education. McDonald, M. (1984). Marketing Plans. london: Heinemann. Ministry of Transport (1968). Transport Act 1968. available at: http://www. legislation.gov.uk/ukpga/1968/73/pdfs/ukpga_19680073_en.pdf (accessed 28 ...