No major figure of the English Augustan period has generated stronger and more contradictory views than Jonathan Swift. Scourge of the Whig ascendancy in his own day, vilified by the Victorians, celebrated by Yeats, he has in recent years become a significant bone of contention for prominent figures on the left like E.P. Thompson and Perry Anderson. In this highly original and subtle new study, Warren Montag situates Swift in relation to the ideological and political currents of the late seventeenth and early eighteenth centuries.in particular to what Montag perspicaciously identifies as the long crisis of the British state. Swift.s perspective, he argues, was determined less by his personality or psychology than by his position as an Anglican cleric. The church, an instrument of the Tudor and Stuart absolutist state, lapsed into institutional and ideological crisis after the Stuart.s fall. In Montag.s view, Swift.s writings were a defense of this increasingly indefensible institution. Swift employed satire because only in the negative representations of this literary form could the now effectively .unthinkable. doctrines of the Church be made to appear. Opening with a historical survey of the crisis of English absolutism and the Anglican Church, Montag then gives a definitive account of the specific conflicts in philosophy against which Swift.s Anglican orthodoxy was aligned. Detailed examinations of Swift.s two prose masterpieces, A Tale of a Tub and Gulliver.s Travels, follow. Historically and philosophically informed, The Unthinkable Swift contributes not only to our understanding of a seminal figure in English literary history but also to the study of historical ideologies, in particular the once dominant religious tradition at the dawn of the first modern capitalist state.
Montag shows that the theorist was intensely engaged with the work of his contemporaries, particularly Foucault, Derrida, Deleuze, and Lacan.
This book seeks to show, against the grain of English language commentary, that Spinoza is neither a Cartesian nor a liberal but precisely the most thoroughgoing materialist in the history of philosophy.
Again , as Montag summarized it , ' Swift ( was ) more concerned with the disorder that rises from below than that which descends from ... paradoxically through his much - vaunted sense » 15 11 13 14 Montag , The Unthinkable Swift , p .
and Montag, The Unthinkable Swift: The Spontaneous Philosophy of a Church-ofEngland Man (London: Verso, 1994), especially 1-41. 4. For a recent version of this argument referring specifically to Popkin's work on the history of ...
Tim Parnell, “Swift, Sterne, and the Skeptical Tradition,” Studies in Eighteenth- Century Culture 23 (1994), 221–242. 24. ... Warren Montag's The Unthinkable Swift: The Spontaneous Philosophy of a Church of England Man (London: Verso, ...
Their encounter takes the form of a verbal altercation—one which the soldiers largely have the better of, perhaps because they are armed; the argument is one that might need to be resolved by the “push [of] a Pike” (1.1, ...
Mary Anne Schofield and Cecilia Macheski (Athens: Ohio University Press, 1986), 372–82; and Mirella Agorni, “The Voice of the 'Translatress': From Aphra Behn to Elizabeth Carter,” Yearbook of English Studies 28 (1998): 181–95.
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and ...
See Ricardo Quintana, The Mind and Art of Jonathan Swift (London and New York: Oxford University Press, 1936), 37. ... See Warren Montag, The Unthinkable Swift: The Spontaneous Philosophy of a Church of England Man (London: Verso, 1994) ...
The answer lies in that Swift's conservatism was a conservatism in exile — both literally and figuratively . ... and the vehemence of Swift's indignation , as Warren Montag holds in The Unthinkable Swift , on behalf of Anglo - Ireland .