The Tribe, the companion volume to Ralph Rumney's excellent The Consul is another fascinating slice of history concerning the ultra avant-garde's favourite sect. Jean-Michel Mension was a member of the Situationist International's precursor, the less political and more art focussed Lettrist International (which was founded in 1945 in Paris by the Romanian Jean-Isidore Isou as a reaction to Andre Breton's dictatorial control of the surrealist movement). Surrealism had become something of a cult of personality surrounding Breton and had drifted from its dada origins into mysticism. In 1956 at Alba in Italy a group of lettrists took an active part at the First World Congress of Liberated Artists (with the slogan "The International Movement for an Imaginist Bauhaus"). From June 1954 to November 1957 they published 29 numbers of their journal Potlatch. The last issue, formally indicating the direction the LI had been heading was subtitled "Bulletin d'information de l'internationale situationiste". The SI was soon to be born. In a series of interviews, Jean-Michel Mension recalls drunken philosophising with Guy Debord and his circle in a book beautifully filled with Ed van der Elsken's celebrated photographs of "the tribe" accompanied by reproductions of Lettrist leaflets and posters. When he woke from his "long night of drinking" Mension became a militant of the Ligue Communiste while the SI became a continuing source of inspiration for the non-authoritarian left. The tensions in the avant-garde where real enough it seems and this is a fascinating, if tangential, account of them. --George Bowman
Yeah, dancing down through the people. Sometimes yelling, sometimes whispering to people. Always with a book” (41). Solly is a kind of chemical savage, offering rambling excursions on the “fascinating and repellant” aspects of seeking ...
Et håndtryk: dansk-fransk avantgardekunst 1945-1980 : værker fra Statens Museum for Kunst og Fyns Kunstmuseum
Down to Earth: Boyle Family in New Zealand
For Bataille, 'the absence of myth' had itself become the myth of the modern age. In a world that had 'lost the secret of its cohesion', Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss.
Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism.
INTRODUÇÃO e O século XX constitui um grande desafio para a compreensão daquilo que se designa arte . ... O impressionismo é o primeiro desses movimentos que lançarão as bases de uma nova forma de ver . O século XX também mostrará um ...
During her lifetime, Mary Cassatt (1844-1926) achieved great fame in both France and America.
Since the 1930s the theoretical writings of the Frankfurt School have provided tools for analyses of political and cultural developments in Europe and the United States.
vanguardia. Las. revistas. literarias. y. el. ultraísmo. Nosotros nos centraremos en las recreaciones que llevaron a cabo algunos escritores de la vanguardia histórica española, no solamente los componentes más o menos canónicos de la ...
This book is an analytical examination of Tschichold's posters.