Ned Kelly did not say Tell 'em I died! But well he might have -- and many people believe he did. Graham Seal's classic study of the Ned Kelly legend shows that, in a sense, facts are unimportant. Many generations of Australians have needed to believe in Ned Kelly, and have tailored his legend to fit their needs. The recent upsurge in Ned Kelly is the latest phase in a tradition that has taken Ned from bush Robin Hood and folk hero to media obsession and national icon, projected to the world as part of the 2000 Sydney Olympics celebrations. Regardless of the facts, the bushranger who murdered policemen and robbed banks remains Australia's best-loved villain -- or hero?
Tell 'em I Died Game: the Start Story of Australian Bushranging
Starting with genre pioneer Black Sabbath, and extending through Iron Maiden to Mega-deth and many, many, others, metal artists seemed to revel in the chaotic imagery of a postapocalyptic world at the same time that they decried the ...
Speaking of Dennis , the hotel at Bulleen in Melbourne's east was once called the Sentimental Bloke Hotel after his most famous poem , but is now the plain old Manningham Hotel . While laid up at the Caledonian Inn in Robe , South ...
This book provides a comprehensive overview of capital punishment in the Australian colonies for the very first time.
The Stories What Thou and I Did , Till We Loved won The Age Short Story Competition , 2001 ( published in The Age ) A ... Five Mile Press , 2005 ) Flotsam won the University of Canberra Short Story Competition , 2002 ( published in ...
... Tell 'em I Died Game (2002), folk balladry allowed Kelly sympathisers to defend the shootout as a 'fair fight.' 'The Ballad of the Kelly Gang' as an example includes the verse: It's sad to think such plucky hearts in crime should be ...
From Mozart to Hitler, Rest in Pieces connects the lives of the famous dead to the hilarious and horrifying adventures of their corpses, and traces the evolution of cultural attitudes toward death"--Back cover.
Erll describes “the selectivity and perspectivity inherent in the creation of versions of the past according to present knowledge and need” (Erll 2009b: 30), while Olick and Robbins point out that “the past is produced in the present ...
In this pathbreaking book, Charles L. Briggs and Clara Mantini-Briggs relay the nightmarish and difficult experiences of doctors, patients, parents, local leaders, healers, and epidemiologists; detail how journalists first created a smoke ...
... dated back 30 or 40 years, to the 1850s and the first gold discoveries, one could still sense the awe that men like Ben Hall, Dan Morgan, Harry Power and Jack Donahue – 'The Wild Colonial Boy' – evoked among ordinary folk.