Summary: "The Invention of New Zealand is an important study of nationalism in twentieth-century New Zealand art. From the 1930s onwards, artists, writers and critics such as Toss Woollaston, Allen Curnow, Colin McCahon, Rita Angus, A R D Fairburn, Doris Lusk and Monte Holcroft deployed art, literature and theory in the construction of a national identity, the search for the essence of New Zealand and the invention of a specifically New Zealand high culture. Francis Pound ponders, decodes, memorialises and celebrates this project from its starting moment when painters and poets became newly self-conscious about New Zealand art. He argues that in the early 1970s the framework was largely dismantled and the discourse abandoned by a new generation of artists and critics, such as Richard Killeen, Ian Scott and Petar Vuletic. Over ten fascinating chapters, Pound covers the Nationalistsʼ major concerns, their problems with antecedents, the formulation of their canon and their various co-option, adoption and rejection of Regionalism, Cubism, Modernism and Primitivism in their quest for invention. The Invention of New Zealand is a well-illustrated and engagingly written narrative by one of our most brilliant and original art historians.'--Publisher description.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
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