Originally published in 1999, this revised edition includes new interviews with Patten and McGough, as well as a fully updated text and introduction.
Analysing the works of such painters as Maurice Cockrill, Michael Andrews or Peter Doig, and focusing on the way their technical innovations question or blur landscape, one can see that landscape is not to be merely taken as the ...
Four of his works were included in an exhibition at Bluecoat the following year. Direct exposure to Post-Impressionism did have a marked influence on other Sandon artists, as suggested by reviews of their work in The Spring Exhibition ...
By 7000 BC it was on the sites of what were to become the Forét de Fontainebleau, south of Paris, and the Foret de Cerisy further to the north-west. From there it was just no miles to the future south coast ofEngland. then still joined ...
Registered charity number 1125383 Officers President and Trustee Sir Nicholas Grimshaw CBE PRA Secretary and Chief Executive Dr Charles Saumarez Smith CBE Keeper Prof Maurice Cockrill RA Treasurer Prof Paul Huxley RA Past Presidents Sir ...
Looking in particular at the art scenes of Liverpool, Manchester, Leeds, Sheffield and Newcastle, Gabriel Gee unveils a set of powerful aesthetic reactions to industrial change and urban reconstruction during this period on the part of ...
Evans had no formal connections to the art college – though its leading lights, from Henri and Sam Walsh to Arthur Ballard and Maurice Cockrill, were his drinking buddies – but he happened to visit one day and saw a sign on the notice ...
Following the creation of the Photographers Gallery in London in 1971, there followed the setting. 3.1 Merseyside Artists, courtesy of National Museums Liverpool, Walker Art Gallery. By kind permission of Maurice Cockrill 3.2 Nick Crowe ...
None of the dozen connections Ms. Morrison had made online led anywhere—other than the town of Wisbech, to which DI Stacey McGrady and I drove to meet an overweight bank teller with some eclectic sexual proclivities.
Peter Prendergast, King's Cross II, oil on board, 1967 Terry Setch, Yeah, oil, pigment and wax on canvas board, 2003 Peter Prendergast, Orange Sunset, acrylic on rag paper, 2000 George Shaw, The End of Care, humbrol enamel on board, ...