Art of Anne Brennan, Barbara Campbell, John Citizen/Gordon Bennett, Fiona Hall, Martyn Jolly, Robert MacPherson, Susan Norrie, David Watt.
Reprinted in Abel, ed., French Film Theory 2:60–63. “Le Vrai peut quelquefois.” Filma 17 (Jan. ... French Film Theory and Criticism: A History/Anthology. Vol. 1: 1907–1929; Vol. 2: 1929–1939. Princeton: Princeton UP, 1988. ——.
This is the first major publication on the art and lives of twentieth-century Fort Worth artists Scott (1942–2011) and Stuart (1942–2006) Gentling.
The Barron Family Foundation, Dr. Branden W. Joseph, Jay Reeg, and Jarka and Donald Warhola provided additional support. The Andy Warhol Museum is indebted to Blake Gopnik and Neil Printz for so eloquently sharing their personal ...
FILEMAKER PRO Coulombre , Rich , and Jonathan Price . 2000. Special Edition : Using Filemaker Pro 5. Indianapolis : Que . FileMaker Pro . Available at : http://www.filemaker.com . Stars , Jonathan . 2001. Learn Filemaker Pro 5.0 .
26 27 28 29 30 Karen Mary Davalos and Colin Gunckel, “The Early Years, 1970–1985: An Interview with Michael Amescua, Mari Cárdenas Yañez, Yreina Cervantez, Leo Limón, Peter Tovar, and Linda Vallejo,” in Self Help Graphics and Art: Art ...
Digitization and globalization poses new challenges in relation to upholding a sustainable public sphere. Can libraries, archives and museums contribute in meeting these challenges?
This pathbreaking work offers an interdisciplinary perspective on big data, interrogating key terms.
Expanding on the author’s previous work, which engaged archival and queer theories to develop the Queer/ed Archival Methodology that intervenes in traditional archival practices, the book invites readers interested in humanistic inquiry ...
Use free-motion stitching and applique to embellish charming handmade gifts! Make and share 16 small projects in the popular Zakka design style, embellished with any of 35 adorable sketches printed on iron-on transfer paper.
1 This section cited, written by Rosalind Krauss, focuses on the historical significance of Benjamin and Malraux, but see also Hal Foster's analysis of archival tendencies in contemporary art in Foster et al., 782–3.