Marsden Hartley (1877-1943), one of the most important artists from the American early modern period, was part of the heady group surrounding Alfred Stieglitz and his galleries in the early decades of the twentieth century. While New York and Stieglitz acted as a base of support and friendship for Hartley, he constantly shifted from place to place, living abroad and in varying locales across the country. Marsden Hartley: An American Modern traces the artists's movements and the evolution in his thinking and art. For the first 40 years of his life, Hartley pursued the ideals and philosophical principles of American transcendentalism. He shifted radically from his approach after the First World War. Instead of embracing subjectivity, he honored rational intellect and objectivity. Toward the end of his life, he returned to a passionate belief in the subjective self. Patricia McDonnell analyzes Hartley's beliefs and artistic practice in the context of the cultural and political realities that deeply affected the man and his times This completely redesigned version of the catalogue published by the Weisman Art Museum in 1997 features an expanded section of color plates.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...