Walker Evans was perhaps the greatest "documentary artist" America has ever known. In a career that lasted forty-six years (1928-1974) Evans profoundly -- even radically -- changed the way Americans looked at themselves, their social causes, and their country. Drawn from a largely unseen private collection -- the largest private collection of Walker Evans photographs in the world -- this lavishly produced volume presents scores of pictures that have heretofore been inaccessible to the public.
Included are the familiar images of Evans's southern work (1935-36), as well as far less familiar images of Evans's friends and fellow artists; his work in Tahiti; photographs that he made of Victorian house architecture (1930-31); and photographs done on travels to England, Cuba, Maine, Nova Scotia, Chicago, and New Orleans. Importantly, Evans prefigured the work of photographers as diverse as Dorothea Lange, Harry Callahan, Robert Frank, and Garry Winogrand -- as well as two generations of American documentary photographers.
Authors Belinda Rathbone and Clark Worswick have written lively texts delineating the overlooked byways of Evans's career at a moment when a rediscovery of his life's work is taking place in both the museum world and in the world of photographic collecting.
The "lost" photographs of Walker Evans, perhaps the most important figure in twentieth-century photography, are seen here for the first time. Belinda Rathbone is a photography historian who has written widely on modern photographers. In her definitive biography, Walker Evans (1995), Rathbone interviewed more than a hundred friends and colleagues of Evans's, as well as his two former wives, and combed archives andletters to illuminate his singular vision and the complex personality that Evans carefully withheld from his photographs. Her research papers are now part of the Walker Evans Archive at the Metropolitan Museum of Art, New York.
Anthologies of photographs are indexed by photographer, subject, and named individuals in portraits.
Douglas Johnson: Southwest Traditions and Modern Icons
The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the ...
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Although Evans and Christenberry share many of the same subjects and concerns, there is a dramatic difference to the meaning of their work.
But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords.
During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used...
This book presents for the first time a selection of Imes's elegant, formally balanced black-and-white images, recorded over nearly twenty years, of local people, river baptisms, black baseball teams, backyards,...
Describes the federal expeditions Hillers accompanied to the American West
A groundbreaking book, the only volume of first-class reproductions of Lewis Carroll's photographs.Published on the one hundredth anniversary of the death of Charles Lutwidge Dodgson (Lewis Carroll), Reflections in a...