Explores the relevance of Romero's films within American cultural traditions and explains the potency of such work beyond 'splatter movie' models.
Romero's films encompass works as different as The Crazies, Hungry Wives, Knightriders, and Bruiser. The interviews in this collection cover a period of over forty years.
Filled with behind-the-scenes gossip and previously unpublished stories from the set, as well as over 100 full-color photos, this book givesDay of the Deadthe resurrection it deserves.
Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete.
Since 1968, the name of motion picture director George Romero has been synonymous with the living dead.
Phillips begins by analyzing the works of George Romero, focusing on how the body is used cinematically to reflect the duality between society and chaos, concluding that the unconstrained bodies of the Living Dead films act as a critical ...
Examines George A. Romero's regional production company Laurel Entertainment and its contribution to American cinema.
This book focuses on Romero's "other" work, highlighting lesser-known films such as There's Always Vanilla (1971) and Bruiser (2000), as well as more popular films such as Martin (1977) and The Crazies (1973).
9 I had overlooked the name of the fort, until Victor Gibbs pointed it out in an e-mail correspondence (November 5, 2005). 10 In this sense, the film very much harkens back to the original Night of the Living Dead.
star in the film , but according to Oosterhoorn the actor felt it was beneath him ( of course , not long after , Hauer took on the title role in Hobo with a Shotgun ) . He also unsuccessfully pitched a spinoff called Woeste Hoeve ...
Since its first appearance in Night of the Living Dead, the Last Night story in its various incarnations has occupied an important and dynamic place in zombie narrative, expressing the human need not just to narrate, but also to be ...