In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the worlds dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, as Honigmann persuasively demonstrates, perhaps the best plot, two of Shakespeares most original characters, the most powerful scene in any of the plays and poetry second to none. Honigmanns cogent and closely argued introduction outlines the reasons both for a reluctance to recognize the greatness of Othello and for the case against the play. This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. Honigmann examines the major critical issues, the play in performance and the relationship between reading it and seeing it. He also explores topics such as its date, sources and the conundrum of double time. 'Honigmann's extensive knowledge illuminates this play at every turn, making this the best edition of Othello now available.' Brian Vickers, Review of English Studies
Othello, a soldier in the service of the Venetian Republic, is tricked by his villainous ensign, Iago, into believing that his beloved wife, Desdemona, is an adulteress.
With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him.
This study is a major exercise in the historicisation of Othello in which the author examines contemporary writings and demonstrates how they were embedded in the text of Othello: discourse about conflict between Turk and Venetian treatises ...
Instead he riveted viewers' attention by means of the psychological intensity that informed the minutest details of his meticulously observed performance: his hoarding of '[a] little 1 Michael Billington, Guardian, 11 May 1984; ...
–BRUCE R. SMITH, UNIVERSITY OF SOUTHERN CALIFORNIA lthough other Shakespeare plays offer higher body counts, more gore, and more plentiful scenes of heartbreak, Othello packs an unusually powerful affective punch, stunning us with its ...
Enter RODERIGO and IAGORODERIGOTush! never tell me; I take it much unkindly That thou, Iago, who hast had my purse As if the strings were thine, shouldst know of this.IAGO'Sblood, but you will not hear me: If ever I did dream of such a ...
Her words simultaneously suggest a military action—complete with violence, storming, and trumpeting—and unruly Nature herself: “That I did love the Moor to live with him, / My downright violence and storm of fortunes / May trumpet to ...
A prose retelling of Shakespeare's play in which a jealous general is duped into thinking that his wife has been unfaithful, with tragic consequences. Includes background information, character summary, and commonly asked questions.
In the board game 'Othello', players must turn double-sided counters to their advantage.
This is an unabridged version of one of William Shakespeare's most famous tragedies, first published in England in 1622.