" ... A highly readable account of the history and culture of the Renaissance from its origins in Italy to its spread through Europe and beyond."--Blurb.
" It is the human foreground that absorbs most of the book's attention. "We can give all kinds of satisfying explanations of why and when the Renaissance occurred and how it transmitted itself," Johnson writes.
TIMELINE 49 FRANCE SYRIA PAPACY HOLY ROMAN EMPIRE TURKISH KINGDOMS Otto IV Fourth Crusade (1202–1204) Albigensian Crusade Otto IV Fourth Crusade (1202–1204) MONGOLS Albigensian Crusade Jamuqa becomes Great Khan (1201) Temujin becomes ...
... three Italian chronicles are exhilarating and tantalising in equal mea- sure in providing a window on to a complex and nuanced convent world , but two of the three are disappointing in terms of providing information about their author ...
Orderic's purpose in including descriptions of the landscapes of monastic foundation and his emphasis on the importance of place was to link the monastic present and the monastic past through the association between early hermits and ...
Gombrich, Richard Francis, and Gananath Obeyesekere. Buddhism Transformed: Religious Change ... Gray, Thomas. Scalacronica: The Reigns ofEdward I, Edward II and Edward III. Translated by Herbert Maxwell. Glasgow: James Maclehose & Sons, ...
A fresh and vigorous appreciation of the intellectual liberation and artistic triumphs of the Italian Renaissance. The development of the first universities from the 12th century onwards, growing wealth and...
The Villam Chronicles Paula Clarke The most important chronicle produced in fourteenth-century Italy is probably that written by three members of the Villani family of Florence ... The initial New Chronicle of Giovanni Villani (ca.
ARDENs ARE AN INTEGRAL ASPECT ofboth the Getty Villa and the Getty Center, beloved by staff and visitors alike. Herb beds, fragrant flowers, blooming bushes, and shaded hideaways provide sites where families picnic, artists sketch, ...
This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century.
The Renaissance was a triumph of the human spirit and a confirmation of human ability, even as it affirmed the willingness of men and women to die for the right to think freely.