Although a long-established and influential genre, this is the first comprehensive study of the European road cinema. Crossing New Europe investigates this tradition, its relationship with the American road movie and its aesthetic forms. This movement examines such crucial issues as individual and national identity crises, and phenomena such as displacement, diaspora, exile, migration, nomadism, and tourism in postmodern, post-Berlin Wall Europe. Drawing on the work of Said, Hall, Shields, Urry, Bauman, Deleuze and Guattari and other critical theorists, Crossing New Europe adopts a broad interpretation of "Europe" and discusses directors and films who have long been associated with the road movie, such as Wim Wenders ( Alice in the Cities, Lisbon Story) and Aki Kaurismäki (Leningrad Cowboys Go America!), and other more recent contributions such as Run Lola Run, Dear Diary and The Last Resort.
This book offers an up-to-date approach to the question of representing history through film, exploring how films represent crucial events in twentieth-century European history.
Yosefa Loshitzky, Screening Strangers: Migration and Diaspora in Contemporary European Cinema (Bloomington: Indiana University Press, 2010), 4. 39. Loshitzky, Screening Strangers, 2. See also William Brown, Dina Iordanova, ...
Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the 'road movie' not ...
Kristeva, J., 1991, Strangers to Ourselves, transl. L. S. Roudiez, New York, Columbia University Press. ... Y., 2010, Screening Strangers. Migration and Diaspora in Contemporary European Cinema, Bloomington, Indiana, Indiana University ...
This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema.
Stam, Vieira, and Xavier observe that, in spite of its revolutionary orientation, the Cinema Novo of the 1960s had largely ignored the working class. Only some late 1970s films, however, began to focus on the impact of workers' ...
... borders and frontiers as tropes in Hollywood cinema (1930-1990), see Robert B. Ray (1985). The term used by Stoianovich is coined by Anthony Smith (1986) to designate the basic myth or narrative set of symbolic values, ...
Jerzy Skolimowski is one of the most original Polish directors and one of only a handful who has gained genuine recognition abroad. This is the first monograph, written in English, to be devoted to his cinema.
" This book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where and how such strategies operate.
In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and ...