Todd Haynes has emerged from the trenches of independent American film in the 1990s to become one of the twenty-first century's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nominated Far from Heaven (2002). Along the way, it covers such landmark films as Poison (1991), Safe (1995), and Velvet Goldmine (1998). Contributors look at these films from a variety of angles, including his debts to the avant-garde and such noted precursors as Rainer Werner Fassbinder; his adventurous uses of melodrama; and his incisive portrayals of contemporary life.
... Agee's ; see Agee on Film , 36 . 10. For a treatment of the relation of U.S. foreign policy to Vichy France , providing analysis of how this topic is represented in the war film and Casablanca in particular , see Raskin , 153-64 .
... Klute and The Parallax View (1974), Francis Ford Coppola's The Godfather (1972), Robert Altman's McCabe and Mrs. Miller (1971) and Nashville (1975), Roman Polanski's Chinatown (1974), and even William Friedkin's The Exorcist (1973).
The volume illustrates the influence of feminist theory on Haynes’s aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman’s film.
Gathering interviews from 1989 through 2012, this collection presents a range of themes, films, and moments in the burgeoning career of Todd Haynes.
Mrs. Leacock: I do apologize, Mrs. Whitaker, but candid views are always the best. Cathy: Darling, this is Mrs. Leacock, the lady I told you about, from the Weekly Gazette. Frank: Ah, yes. The fine lady who wants to air all our dirty ...
His taste for narrative experimentation and pastiche is haunted by anguish. Rob White's highly readable book, which includes a major new interview with Haynes, is the first comprehensive study of the director's work.
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view.
Meanwhile, an equally complex soundtrack layers extensive interviews with Chomont, industrial noise, ... Hoolboom's work shares New Queer Cinema's strategies of pastiche and the social constructionist reworking of history.
French Cultural Studies 16.1 (2005), 55-72. Gever, Martha. Entertaining Lesbians: Celebrity, Sexuality, and Self-Invention. New York: Routledge, 2003. ——. “Pictures of Sickness: Stuart Marshall's Bright Eyes.” Queer Looks: Perspectives ...
With almost two decades of work, from the critically acclaimed low-budget Superstar: The Karen Carpenter Story to Far from Heaven (for which he was nominated for an Academy Award for screenwriting), Todd Haynes has established himself as ...