The art of John Stezaker engages with the ceaseless flow of images that has been a consequence of mechanical reproduction, mass media and popular culture. His intervention into these images through collage, excision, reconfiguration, inversion or occlusion can be seen to interrupt their everyday circulation in a profound way: image and perception alike are questioned, rearranged and opened to new possibilities. Through their transformation Stezaker's images acquire poetic resonance, and, in many cases, a disquieting allure. With over 120 illustrations, this monograph presents the first overview of John Stezaker's work on paper from the 1970s onwards, featuring his found images, collages, image fragments and a selection from The 3rd Person Archive. Essays by Dawn Ades and Michael Bracewell, as well as a conversation between the artist and curators Daniel F. Herrmann and Christophe Gallois, place Stezaker's work in a historical context and analyse his methodology and practice. The exhibition opens at the Whitechapel Gallery, London in January 2011 and travels to the MUDAM, Luxembourg at the end of the year (June - September 2011). It will also show at Mildred Lane Kemper Art Museum, St Louis, USA (January - April 2012);
Through his elegant juxtapositions, Stezaker adopts the content and contexts of the original images to convey his own witty and poignant meanings. In this new volume, Stezaker started with found images from Hollywood's golden era.
John Stezaker is one of the most distinguished voices in the history of image-based collage.
John Stezaker has been collecting photographic city views from the 1920s and 1930s for 30 years.
Concentrating specifically on the portrait, John Stezaker's 'Masks' series reflects the artist's ongoing interest with the hidden face. Stezaker's long-term fascination with the image is translated into alterations, deletions, visual...
Accompanying full-colour reproductions, a new essay by Cecilia Järdemar discusses the series' ties to Surrealism, the portraits' power of attraction and the artist's interest in obsolescence.
Building upon the corresponding 3rd Person Archive series, the image fragments in this volume span the history of postcard production.Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker ...
Made across a 32-year span, the works in Tabula Rasa unite the central themes in the art of John Stezaker, from capacities of collage to the current flow in an age of mass media.
An overview of John Stezaker's film still collages, this book showcases the evolution of the artist's relationship with a specific material.
This update will be published in full color and includes the newest waterjet safety technologies, methods, and equipment. Will also expand upon the information on shrouds, shielding, chocking, and grounding....
The expanded second edition of this popular collection of John Stezaker's 'Masks' features the development of the series over the artist's career.