With photography, I like to create fiction out of reality. I try and do this by taking society's natural prejudice and giving it a twist, says British photographer Martin Parr, who is most known for his satirical images of the ostentatiously wealthy. Luxury is Parr's epitaph to the age of conspicuous consumption, with candid images of the fabulously wealthy on the international party circuit: champagne-fuelled lunches, horse races, Moscow's Millionaire Fair, the Dubai Art Fair and the Beijing Motor Show, to name a few locales. Both biting and affectionate, this series, which comprises 35 works created between 2003 and 2009, is part of the touring exhibition Parrworld. Documenting the trends, tastes and social mores of the bourgeoisie--diamond encrusted jewelry, pure breed puppies, racecars, endless canapés and empty champagne bottles--Parr succeeds in capturing the cliché-laden tedium of excess, while making the whole scene seem a little more human. Parr's mobile perspective and viewpoint is that of a housefly; critic Neal Brown writes, characterizing the photographer's style as buzzing around people's heads, landing on the edges of their plates and food displays, and viewing everything as a fantastically enlarged, over-colored world upon which to masticate regurgitated vomit, and enjoyably shit. Exquisitely designed, this volume--with a padded, gilt-foiled mock-leather cover--is the perfect souvenir of the era before the bubble burst. Also featured is an introduction by leading fashion designer and Martin Parr fan, Paul Smith.
A collection of Jamison Handy industrial photographs relating to selling.
The celebrated American poet Allen Ginsberg (1926-1997) began photographing in the late 1940s when he purchased a small, second-hand Kodak camera. For the next fifteen years he made intimate and...
Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players...
For Paul Strand, the great pioneer of modernism, the summers of 1926 and 1930-1932 were a return to experimentation and periods of great artistic growth. He worked in makeshift darkrooms-one...
Showcasing Edward Curtis' most compelling and important works, this beautiful publication highlights both iconic and rarely seen images, demonstrating his artistry and mastery of photographic mediums, and his commitment to...
Magician with a camera. A master of modern fashion and portrait photography Limited to 1,500 numbered copies, signed by Mario Testino. The book features a lenticular cover portrait of Lady...
Since taking up photography in the mid-1960s, Robert Adams (born 1937) has quietly become one of the most influential chroniclers of the evolving American landscape. Carefully edited by Adams from...
When Martin Parr's The Last Resort was first published and exhibited in 1986, it divided critics and audiences alike. Some saw it as the finest achievement to date of colour...
Originally published by Yale University Press in 1960, Katsura: Tradition and Creation of Japanese Architecture is the most significant photographic publication about the relationship of modernity and tradition in postwar...
Walter Pfeiffer, whose work in the 1970s and 1980s prefigured many of the decisive developments in contemporary art today, is a classic artist's artist--famous and beloved among art aficionados, yet...