Audiences can't get enough of fang fiction. Twilight, True Blood, Being Human, The Vampire Diaries, Buffy the Vampire Slayer, Blade, Underworld, and the novels of Anne Rice and Darren Shan—against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film Làt den rätte komma in (2008), known to American audiences as Let the Right One In, is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like Twilight, Let the Right One In is a love story between a human and a vampire—but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding—she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, Let the Right One In could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as Nosferatu (1979) and Dracula (1931). She discusses the genre's early fliration with social realism in films such as Martin (1977) and Near Dark (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.
The follow-up collection to the international vampire bestseller Let the Right One In Whatever happened to Oskar and Eli? And what became of the beleaguered families in Handling the Undead?...
And she only comes out at night. . . .Sweeping top honors at film festivals all over the globe, director Tomas Alfredsson's film of Let the Right One In has received the same kind of spectacular raves that have been lavished on the book.
In his new novel, John Ajvide Lindqvist does for zombies what his previous novel, Let the Right One In, did for vampires.
Set on a housing estate in the suburbs of Stockholm in the early 1980s, it's the story of Oskar, a lonely, bullied child, who makes friends with Eli, the girl in the next apartment.
A supernatural superthriller from the author of Let the Right One In Molly wakes her mother to go to the toilet. The campsite is strangely blank. The toilet block has gone. Everything else has gone too. This is a place with no sun. No god.
Harbour is also a heartbreaking study of loss and guilt: a novel whose epic climax pits the infinite force of nature against the implacable love of a father for his child.
Series by series, Anne Billson unravels the magic of Buffy, examining the antecedents, influences and the new twist on the age-old story of the struggle between Good and Evil. In every generation there is a Chosen One.
In this fascinating book, New Yorker business columnist James Surowiecki explores a deceptively simple idea: Large groups of people are smarter than an elite few, no matter how brilliant—better at solving problems, fostering innovation, ...
Abby's life as a vampire becomes more dangerous when a monster begins murdering people in her sleepy little town, and Abby and her caretaker are forced to fight it in order to protect her secret.
MR PHILIP ARDAGH, GUARDIAN 'It keeps you gripped all the way through.' SUNDAY EXPRESS 'Fantasy and history are most entertainingly combined in this ingenious and inventive story of Victorian space travel, “decorated throughout” by David ...