Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
... oral - written interface with particular reference to Xhosa oral poetry , Research in African Literatures , 28 , no . 1 , pp . 173-191 Kaschula , R. 1997b Xhosa oral poetry and its reception , South African Journal of Folklore Studies ...
". . . its pages come alive with wonderful illustrative material coupled with sensitve and insightful commentary." —Reviews in Anthropology " . . . the scope, breadth, and lucidity of this excellent study confirm that Okpewho is ...
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African Oral Literature for Schools
In this series we have strived to adopt innovative and multilayered perspectives on orality or indigeneity and its manifestations on contemporary African and new literatures.
They are the kind of singers who Abdul Kadir Dandatti calls “ Public Poets ” .5 They pick from all forms of poetry and sing for all sorts of people on all occasions . We may as well call them freelance artistes .
Africa has long been known as the oral continent, at once the home of oral literature, orature and orality, the oral background to the postcolonial literatures of today, and the...
A further new title in this series on East African oral literature, considering East African-Indian genres of oral literature and cultures, which developed as people from India/Asia migrated to East Africa.
The twenty-five excerpts in this volume have been selected and introduced so as to offer English-speaking readers a broad sample of the extensive epic traditions in Africa.
Okpewho invested considerable energy in espousing the following subject matter in orature and literature: the African heroic epic, mythic consciousness in Africa, the oral artist as a professional, oral performance as artistic act and ...