"Collaboration has been a component of art making for centuries—from ancient Greek potters and painters to nineteenth-century photographers Hill and Adamson to the contemporary Raqs Media Collective—yet it remains a complex topic for art historians of all periods. Taking its cue from Sigmund Freud’s 1929 publication, Civilization and its Discontents, in which the psychoanalyst wrestled with tensions between the individual and society, Collaboration and its (Dis)Contents: Art, Architecture, and Photography since 1950 asks what it means to produce work together as individuals and why this might matter for the creation of art and scholarship in the twenty-first century. This volume stems from The Courtauld Research Forum’s 2013 flagship research initiative, led by Andrew W. Mellon Postdoctoral Fellow Meredith A. Brown, which brought together a group of early career scholars based in London and New York who spent the year engaged in transatlantic conversations about collaboration and its influence on the histories of modern and contemporary art, architecture, and photography. The resulting collaboratively written essays and artists’ projects are timely contributions to the growing art historical debates around collaboration and collectivity and their relationship to modernism, feminism, Marxism, and contemporary practice. Collaboration and its (Dis)Contents explores not only what constitutes collaboration in recent art globally but also opens up possibilities created by collaborative historical and artistic research in a field that historically has privileged the traditional single-author text."-- Courtauld Books Online website.
Highlights of a unique community-building and socially healing project that brought diverse families together from four Oakland neighborhoods to create art.
Essays cover the sculpture's integration into its architectural environment, its role in incorporating the theme of reconciliation into the Sydney story, and the steps involved in the creation of the sculpture.
This book suggests that our grasp of creativity is impoverished because we fail to recognise the vital roles that partnerships, collaborations friendships, and communities play in our thinking, learning, and understanding.
Ladislas Kijno (1921-2012) est considéré comme l'un des maîtres de l'abstraction, spécialiste de la technique du froissage et de la vaporisation sur toile.
The book functions as a groundbreaking exemplar for how research can occur in a fully creative arena and capacity. This work is new take on writing and photography and what kind of narrative/creative possibilities they deliver.
In Eric Gill and David Jones at Capel-y-ffin Jonathan Miles explores the four years which Gill and Jones spent in Gill's religious and artistic community in the Black Mountains of Wales and discovers that it was hugely significant time for ...
Since their first meeting Olia Lialina, one of the best known participants in the 1990s net.art scene, and artist Cory Arcangel have been united by an abiding preoccupation with the relationship between people and the internet.
Maybe it Would be Better If We Worked in Groups of Three?
This volume presents recent works from 2003-2007.
A compendium of prompts for participatory walks by visual, performance, and text-based artists, including a guide for creating your own