in the series, The Paper Museum of Cassiano dal Pozzo, and Russell, “Pirro Ligorio, Cassiano dal Pozzo,” 239–74. ... “Des inscriptions ligoriennes dans le Museo Cartaceo pour une étude de la tradition des dessins d'apr`es l'antique,” in ...
On Cosimo Bartoli and his renowned translation of Alberti's De re aedificatoria see Girolamo Mancini, “Cosimo Bartoli (1503–1572),” Archivio storico italiano, ser. 6, 76, 3/4 (1918), 84–135; Roberto Cantagalli and Nicola De Blasi, ...
The goddess Athena carries a lance and has her helmet tilted back to reveal her face, her right hand rests upon the bare right shoulder of Prometheus. The sarcophagus is dated c AD 270-80 by Andreae or c AD 240 by Turcan.84 • The ...
Archives and Excavations aims to stimulate a new approach to the history of excavation by drawing attention to a vast and important area of research that has been neglected for...
Fant, J. Clayton, “The Roman imperial marble quarries at Portus,” in Waelkens, Marc, Herz, Norman, & Moens, Luc, eds., Ancient stones: quarrying, trade and provenance: interdisciplinary studies on stones and stone technology in Europe ...
Ancient Roman Topography and Architecture: Dal Pozzo accessions in the later seventeenth century and miscellaneous earlier drawings
The Paper Museum of Cassiano dal Pozzo. Series A, Part VII: Ancient Inscriptions. London: The Royal Collection in association with Harvey Miller Publishers. Stenhouse, William. 2005. Reading Inscriptions and Writing Ancient History: ...
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.
(E. Ph. 572—7) The dedication that Polyneikes will have inscribed, Iocasta predicts, will become his ... 1191—5) The oath is to be followed by a sacrifice, described by Athena in detail, in which a certain bronze tripod from Theseus's ...
The third section shows how texts have two levels of authorship: the author of the text, and the scribe who copies the text. The scribe is not a medium, but plays a crucial role in changing the text.