This groundbreaking book tells the fascinating story of the very beginnings of film in Britain, from the earliest non-fiction footage of delicate spider webs, rolling waves, bustling streets and parades to fantastical fiction films and magic lantern-style adaptations of books and fairytales that give us a glimpse into the Victorian imagination. Drawing on unique material held in the BFI Archive, Bryony Dixon provides in-depth insights into major filmmakers such as the Lumière Brothers and Mitchell and Kenyon as well as key works like Pelicans at the Zoo (1898) and Kitty Mahone (1900) - a rare example of an early sound film. She traces the invention, business, aesthetics and impact of the brand new medium of film from 1895 to 1901. From 'actual' news footage of the Boer War (shot in Lancashire) to risqué 'scènes grivoises' (saucy scenes) including nudity and suggestive scenarios, the films explored in this book challenge any preconceptions we might have about early film, demonstrating its breadth and boldness - as well bringing Victorian people and society vividly to life. The book is richly illustrated and beautifully designed to bring the subject to life.
A Victorian Film Enterprise: The History of the British Mutoscope and Biograph Company, 1897-1915
History’s most unlikely friendship—this is the astonishing story of Queen Victoria and her dearestcompanion, the young Indian Munshi Abdul Karim.
Smith argues that the 'settings and social milieu of film noir and the female Gothic are quite distinct' (64), but his examination of the urban and contemporaneously set 'female Gothic' film Deception (1946) leads him to conclude that ...
As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's ...
This book provides a basis for rethinking adaptation and a template for future discussions and academic courses.
The book looks in detail at two key films about Jack the Ripper, made 75 years apart: The Lodger, a silent film made in 1926, directed by Alfred Hitchcock and starring Ivor Novello as the suspected murderer; and From Hell, a 2001 film ...
Until now, there was no modern history of the pornographic movie available - Black and White and Blue fills that void, with exlusive interviews and confrontational style.
Chronicles the picturesque adventures and romantic misadventures of Nan King, a onetime oyster girl from a provincial seaside town who follows a local music hall star to the gay and lesbian world of late Victorian London. Reprint.
Motion Pictures for the Home 1896-1914 : a History of the System, and a Newly-compiled Illustrated Catalogue of Kinora ... 1982-89 ) Richard Brown and Barry Anthony , A Victorian Film Enterprise : A History of the British Mutoscope and ...
Critical Writings on Television Barr Charles, 'They Think It's All Over: The Dramatic Legacy of Live Television', ... Giddings Robert and Selby Keith, The Classic Serial on Television and Radio (Basingstoke: Palgrave Macmillan, ...