This attractively illustrated new collaborative work examines dress, style and performance as a significant pleasure of fiction. It illuminates many significant factors of Victorian life. The book examines the ways in which Victorian writers, illustrators, periodicals, designers and clothing manufacturers have critiqued the social ideologies inherent in dress, fashion and imaginative engagement with clothes. This is the first volume in the New Paths in Victorian Popular Fiction and Culture series being published by EER. The series comprises specially commissioned work based on innovative or under-researched perspectives on Victorian literature and culture. As an aesthetic medium, fashion expresses a person's life course, their ideas, desires and beliefs, and fiction itself is a site where these issues can be resolved. Not only were fictional characters made recognisable through their dress, but readers of serial fiction encountered them in between adverts, cartoons, print and patterns. Thus, how dress is depicted in fiction responds to its material paratext. Victorian dress and literature equally licensed or discouraged particular forms of clothing, fantasies and moralities about men and women, as well as distinctions between generations. As a result, this volume's multidisciplinary approach engages with theoretical perspectives on dress history, periodical publications, archives and dress. The book is shaped in four distinct sections. Writers engage with fashion and material culture using an interdisciplinary methodology, as well as through fashion's multiple performances as depicted in text, image and design. Part 1, 'Fashion and Hierarchies of Knowledge' examines how periodicals, journalism and couture established 'fashion' as a discipline. Part 2's 'Artistic Engagement with Fashion's Material Culture' focuses on how fabric, printed patterns and illustrations critique social constructions of beauty and femininity. Part 3, 'Conduct and Clothing', considers novelistic depictions of fashion with regard to scientific, racial and gender identities. These are cross-related to reader consumption and behaviour. Part 4, 'Consumption and Fashionable Performance', examines periodicals, genres and drama as performative in their own right.
Victorias Secret, a powerful player in the womens undergarment industry, built a highly sexual brand image around tall, thin models.
"A CRC title, part of the Taylor & Francis imprint, a member of the Taylor & Francis Group, the academic division of T&F Informa plc."
1001 Secrets of Feminine Cross Dressing: A Practical Handbok for the Stylish Transvestite
Including The Philosophy Of Dress by Oscar Wilde. In print for the first time in 128 Years, and in book form for the first time ever. The work now forms the centerpiece of this unique collection of Wilde's writings on dress.
Fig.4-51 Fig.4-49 Royal Robbins is another highly respected mountaineer outfitter . Mr. Robbins himself is a famous figure in climbing . He has a collection of mountain wear which is composed principally of beautiful , beefy 100 ...
Johnson, ct al., Historic Colonial French Dress, pp. 18-19:Jamcs Austin Hanson and KathrynJ. Wilson. Tlie Mountain Man's Sketchbook, Volume 1 (Chadron. Nebraska: The Fur Press. 1976): James Austin Hanson.
Right: Generals Robert E. Lee (Martin Sheen) and James Kemper (Royce D. Applegate) discuss Confederate strategy in this scene from the movie Gettysburg (1993). General Kemper is quite the swashbuckler here with his long white gloves and ...
Three young creatures resist their mother's directions in getting them dressed to play outside in the snow.
Clothing, Social Distinction and Ethnicity in Early Modern Iberia Javier Irigoyen-García. Bermúdez de Pedraza, Francisco. Historia eclesiástica, principios y ... Ed. Juan Francisco Andrés de Uztárroz. Zaragoza: Diego Dormer, 1641.
Fiction, Reading Recovery Level 7, F&P Level E, DRA2 Level 6, Theme Colors/Seasons, Stage Early, Character N/A