The phrase 'rogue states' has been conjured up with deadly purpose, by major world powers, in particular the United States, to describe weaker countries who have fallen out of favour with the West, some of whom enjoyed the role of client states for many years, or were permitted to rule despotically under the benevolent threat of 'regime change' if they in any way proved politically or economically difficult. Issues of human rights never entered into it. Johnston's new collection of poems adopts the phrase and personalises it; serious illness is seen as a 'rogue state,' a usurpation of the lived ordinary, a demolishing of physical and moral routine, a form of invasion. In illness, as in civil turmoil, civilizing rules are often turned upside down or disregarded, a powerful and selfish striving for survival develops. Other poems take on the mundane everyday, the speculative, and contemplate the uses of the poetic imagination in a society where, in the poet's view, poetry itself is under siege and its use and importance reset. Politics and society can never be outside or beyond the poet's critical reach. At a time when poets and writers in less humanitarian societies than our own can still suffer - and are suffering - imprisonment, the banning of their work, or much worse, we have, he would maintain, a duty to use our freedom to speak out against injustice, even at the risk of being labelled 'rogue' ourselves. Book jacket.
Susan is determined Graham will never know he is the father of her child and befriends Donald Murphy. Returning to Belfast - and with Jim, Donald and Graham in pursuit, Susan knows she is playing with fire.
... 146 Sligo , 47 Sloan , Thomas , 126 Smiles , Dr Samuel , 65 Smiles , W.H. , 65 Smiley , Capt . J.R. , 128 Smith , Sir Thomas , 12 Smithfield , 31 , 40 , 97 Smithfield Ward , 102 , 125 , 178 , 179 social classes , 109-12 on ...
The deceptively spare poems in Ciaran Carson s radical new collection encapsulate the black taxis and the blackbird of Belfast, whose past and traditions the book refracts.
But Belfast people were ambivalent about their Scottish origins. As noted by Kyle Hughes, a distinct 'Ulster identity' was projected in Victorian and Edwardian Belfast which repudiated Scottishness and saw it as the 'other'.197 ...
In telling the story of Harland & Wolff, Workman Clark and the other Belfast yards, Kevin Johnston is in effect writing a social history of the city of Belfast from 1850 to 1970.
NOTES 1 2 For the fluidity of Belfast's identity see Nicholas Allen and Aaron Kelly ( eds ) , The cities of Belfast ( Dublin , 2003 ) , pp 7–18 . Trevor Carleton , “ Malone , Belfast : the early history of a suburb ' in U.J.A. , 3rd ser ...
It's Belfast, 1975. The city lies under the dark cloud of the Troubles, and hatred fills the air like smoke. But Tony Macaulay has just turned twelve and he's got a new job. He's going to be a paperboy.
Roman.
Blown away by Morrison's unique and explosive brand of raw R'nB energy infused with lyrics evoking the Belfast of his youth, Dawe has written this extraordinary book as a compass for the inspirations that underlie Morrison's spine-tingling ...
The author describes his childhood growing up in Belfast, and looks at how the city has changed from its more prosperous and peaceful past