Fandom as Methodology: A Sourcebook for Artists and Writers
- ISBN-10
- 1912685132
- ISBN-13
- 9781912685134
- Category
- Art
- Pages
- 304
- Language
- English
- Published
- 2019-12-03
- Publisher
- MIT Press
- Authors
- Catherine Grant, Kate Random Love
Description
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang
Get the book
Similar books
-
Blue Book of Art Values: Artists & Their Works from Around the World
By William Edwin DayBlue Book of Art Values: Artists & Their Works from Around the World
-
New Deal Art in Alabama: The Murals, Sculptures and Other Works, and Their Creators
By Anita Price Davis, Jimmy S. EmersonPeter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
-
The World of Bob Timberlake
By Bob TimberlakeOffers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
-
The Art of the Hollywood Backdrop
By Karen L. Maness, Richard M. IsackesTHE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
-
John Singer Sargent and His Muse: Painting Love and Loss
By Karen Corsano, Daniel WillimanAdelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
-
The Art of the Hollywood Backdrop
By Karen L. Maness, Richard M. IsackesThis is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
-
Chaos and Cosmos: On the Image in Aesthetics and Art History
By Karen LangThrough careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
-
Writing on the Wall: Graffiti and the Forgotten Jews of Antiquity
By Karen B. SternGibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
-
Vital Forms: American Art and Design in the Atomic Age, 1940-1960
By Brooke Kamin Rapaport, Kevin Stayton, Brooklyn Museum of ArtExamines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
-
Typography: A Very Short Introduction
By Paul Luna... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...